03751nam 22007092 450 991045558900332120151005020621.01-107-11526-40-511-00953-41-280-16182-50-511-11698-50-511-15095-40-511-48356-20-511-31041-20-511-05080-1(CKB)111087027184760(EBL)144742(OCoLC)559199256(SSID)ssj0000238003(PQKBManifestationID)11186971(PQKBTitleCode)TC0000238003(PQKBWorkID)10222252(PQKB)11062738(UkCbUP)CR9780511483561(MiAaPQ)EBC144742(Au-PeEL)EBL144742(CaPaEBR)ebr10014971(CaONFJC)MIL16182(EXLCZ)9911108702718476020090224d2000|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe rhetoric of the body from Ovid to Shakespeare /Lynn Enterline[electronic resource]Cambridge :Cambridge University Press,2000.1 online resource (xii, 272 pages) digital, PDF file(s)Cambridge studies in Renaissance literature and culture ;35Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-03465-5 0-521-62450-9 Includes bibliographical references (p. 227-264) and index.Acknowledgements -- 1. Pursuing Daphne -- 2. Medusa's mouth: body and voice in the Metamorphoses -- 3. Embodied voices: autobiography and fetishism in the Rime sparse -- 4. "Be not obsceane though wanton": Marston's Metamorphosis of Pigmalions image -- 5. "Poor instruments" and unspeakable events in The rape of Lucrece -- 6. "Your speak a language that I understand not": the rhetoric of animation in The winter's tale -- Notes -- Index.This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature.Cambridge studies in Renaissance literature and culture ;35.Human body in literatureClassical literatureHistory and criticismEuropean literatureRenaissance, 1450-1600History and criticismEnglish literatureEarly modern, 1500-1700History and criticismHuman body in literature.Classical literatureHistory and criticism.European literatureHistory and criticism.English literatureHistory and criticism.809/.9335Enterline Lynn1956-529204UkCbUPUkCbUPBOOK9910455589003321The rhetoric of the body from Ovid to Shakespeare2489440UNINA