04079nam 22006853u 450 991045558250332120220131102650.01-282-59754-X97866125975410-472-02514-7(CKB)2520000000006868(EBL)3414685(OCoLC)1196823280(OCoLC)588880962(OCoLC)607825905(OCoLC)608907576(OCoLC)701012092(OCoLC)710817029(OCoLC)728024756(OCoLC)923501911(OCoLC)961577331(OCoLC)962559846(OCoLC)975598656(OCoLC)988428963(OCoLC)992097580(OCoLC)1002327124(OCoLC)1018045870(OCoLC)1037903287(OCoLC)1038659464(OCoLC)1044655326(OCoLC)1045388119(OCoLC)1047910255(OCoLC)1050975571(OCoLC)1055355170(OCoLC)1061030477(OCoLC)1066586398(OCoLC)1081282586(OCoLC)1101723230(OCoLC)1103545062(OCoLC)1105918894(OCoLC)1107410209(OCoLC)1109787435(OCoLC)1113426924(OCoLC)1118999503(OCoLC)1119085649(OCoLC)1121028776(OCoLC)1126041884(OCoLC)1126077596(OCoLC)1153027863(OCoLC)1164783518(OCoLC)1178682803(OCoLC)1183733253(OCoLC)1198705609(OCoLC)1228565540(OCoLC)1235836427(OCoLC)on1196823280(SSID)ssj0000343197(PQKBManifestationID)11243030(PQKBTitleCode)TC0000343197(PQKBWorkID)10289890(PQKB)11208097(MiAaPQ)EBC3414685(EXLCZ)99252000000000686820160808d2010|||| u|| |engur|n|---|||||txtccrStaging Philosophy[electronic resource] Intersections of Theater, Performance, and PhilosophyAnn Arbor University of Michigan Press20101 online resource (343 p.)Theater: Theory/Text/PerformanceDescription based upon print version of record.0-472-06950-0 Contents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence ReconSeven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of CharityContributorsIndexTheater: Theory/Text/PerformancePerforming arts -- PhilosophyPerforming arts -- Social aspectsPerforming artsSocial aspectsPerforming artsPhilosophyLiterature - GeneralHILCCLanguages & LiteraturesHILCCElectronic books.Performing arts -- Philosophy.Performing arts -- Social aspects.Performing artsSocial aspectsPerforming artsPhilosophyLiterature - GeneralLanguages & Literatures791.01Krasner David909418Saltz David Z948920AU-PeELAU-PeELAU-PeELBOOK9910455582503321Staging Philosophy2145011UNINA