02836oam 2200757I 450 991045553050332120220131182850.01-134-63312-21-280-31743-40-203-45772-210.4324/9780203457726(CKB)111056485538946(SSID)ssj0000071247(PQKBManifestationID)11109926(PQKBTitleCode)TC0000071247(PQKBWorkID)10071390(PQKB)11742654(MiAaPQ)EBC169931(Au-PeEL)EBL169931(CaPaEBR)ebr10054085(CaONFJC)MIL31743(OCoLC)51045870(OCoLC)958105695(EXLCZ)9911105648553894620180331d2000 uy 0engurcn|||||||||txtccrShakespeare without women representing gender and race on the Renaissance stage /Dympna CallaghanLondon ;New York :Routledge,2000.xiii, 219 p. illAccents on ShakespeareBibliographic Level Mode of Issuance: Monograph0-415-20231-0 0-415-20232-9 Includes bibliographical references (p. [187]-209) and index.chapter Introduction --Cleopatra had a way with her --chapter 1 And all is semblative a woman's part --Body politics and Twelfth Night --chapter 2 The castrator's song --Female impersonation on the early modern stage --chapter 3 Othello was a white man: Properties of race on --Properties of race on Shakespeare's stage /Shakespeare's stage --chapter 4 Irish memories in --chapter 5 What is an audience?.Accents on Shakespeare.TheaterCastingEnglandHistory16th centuryTheaterCastingEnglandHistory17th centuryFeminism and theaterEnglandHistoryFemale impersonatorsEnglandHistoryTheater and societyEnglandHistoryAfricans in literatureBlack people in literatureWomen in literatureElectronic books.TheaterCastingHistoryTheaterCastingHistoryFeminism and theaterHistory.Female impersonatorsHistory.Theater and societyHistory.Africans in literature.Black people in literature.Women in literature.822.3/3Callaghan Dympna.625072MiAaPQMiAaPQMiAaPQBOOK9910455530503321Shakespeare Without Women1095744UNINA