01876nam 2200601 a 450 991045552840332120200520144314.01-84409-309-31-84409-409-X(CKB)1000000000762446(EBL)445267(OCoLC)414543267(SSID)ssj0000156001(PQKBManifestationID)11162201(PQKBTitleCode)TC0000156001(PQKBWorkID)10114978(PQKB)10256985(MiAaPQ)EBC1603473(Au-PeEL)EBL1603473(CaPaEBR)ebr10308935(CaONFJC)MIL540947(OCoLC)863042867(EXLCZ)99100000000076244620091202d2007 uy 0engur|n|---|||||txtccrFlight into freedom and beyond[electronic resource] /Eileen Caddy with Liza HollingsheadRev. ed.Forres, Scotland Findhorn Press20071 online resource (262 p.)Description based upon print version of record.1-306-09696-0 1-899171-64-9 Cover; Introduction; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; PostscriptAn autobiographical tale of forgiveness, jealousy, hatred, and doubt involved in the break-up of a marriage.New Age movementScotlandBiographyElectronic books.New Age movement133.092133.93Caddy Eileen951275Caddy Eileen951275Hollingshead Liza951276MiAaPQMiAaPQMiAaPQBOOK9910455528403321Flight into freedom and beyond2150397UNINA03182nam 2200697 450 991080807800332120221212044830.01-4426-9615-X1-4426-9614-110.3138/9781442696143(CKB)2550000000100908(OCoLC)794619907(CaPaEBR)ebrary10560445(SSID)ssj0000655640(PQKBManifestationID)12262252(PQKBTitleCode)TC0000655640(PQKBWorkID)10631342(PQKB)11742670(CEL)438750(CaBNVSL)slc00228884(MiAaPQ)EBC3280037(MiAaPQ)EBC4672870(DE-B1597)483218(OCoLC)1004868246(DE-B1597)9781442696143(Au-PeEL)EBL4672870(CaPaEBR)ebr11258521(OCoLC)1354203559(MdBmJHUP)musev2_105771(EXLCZ)99255000000010090820160923h20122012 uy 0engurcn||||||a||txtccrThe emblematics of the self ekphrasis and identity in Renaissance imitations of Greek romance /Elizabeth B. BeardenToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2012.©20121 online resource (273 p.)1-4426-4346-3 Includes bibliographical references and index.Chapter One The Romance Globe: Why the Renaissance Repainted Greek Romance -- Chapter Two Converso Convertida: Cross-dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea -- Chapter Three Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia -- Chapter Four Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes' Persiles -- Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis -- Chapter Six "We are all picturd in that Piece": Lovers, Persians, Tartars, and the "Tottering" Romance Globe in Lady Mary Wroth's Urania -- Conclusions.The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the "other," as well as new possibilities for early modern identities, in an increasingly global Renaissance.European literatureRenaissance, 1450-1600History and criticismEuropean literatureRenaissance, 1450-1600Greek influencesIdentity (Philosophical concept) in literatureEkphrasisEuropean literatureHistory and criticism.European literatureGreek influences.Identity (Philosophical concept) in literature.Ekphrasis.809.031Bearden Elizabeth B.1975-1652961MiAaPQMiAaPQMiAaPQBOOK9910808078003321The emblematics of the self4003945UNINA