02712nam 22005653u 450 991045547360332120210114014802.0978058520246X0-585-20246-X(CKB)111004365843318(EBL)283037(OCoLC)70741601(SSID)ssj0000128054(PQKBManifestationID)11989453(PQKBTitleCode)TC0000128054(PQKBWorkID)10064591(PQKB)10760317(MiAaPQ)EBC283037(EXLCZ)9911100436584331820130418d2007|||| u|| |engur|n|---|||||txtccrComputers and Art[electronic resource]Bristol Intellect20071 online resource (161 p.)Description based upon print version of record.1-871516-60-9 Front Cover; Preliminaries; Contents; Introduction; On drawing a circle; Why use computers to make drawings?; Representing representation: artificial intelligence and drawing; Some trends in computer graphic art; Fatal attraction: print meets computer; A year and a day on the road to Omniana; The art of interactivity: interactive installation from gallery to street; Networks and artworks: the failure of the user-friendly interface; Virtual reality and art; Visual technology and the poetics of knowledgePost-modem art, or: Virtual reality as Trojan donkey, or: Horsetail tartan literature groin artArtificial consciousness - artificial art; Back CoverInsightful perspectives on the use of the computer as a tool for artists. The approaches taken vary from its historical, philosophical and practical implications to the use of computer technology in art practice. The contributors include an art critic, an educator, a practicing artist and a researcher. The Editor's contribution will look at the potential for future developments in the field, looking at both the artistic and the computational aspects of the field. This collection seeks to bring together the latest theories and advances in the use of computers in art as well as looking in a pracArt and technologyComputer artDigital artElectronic books.Art and technology.Computer art.Digital art.700.105702.85Mealing Stuart882396AU-PeELAU-PeELAU-PeELBOOK9910455473603321Computers and Art2128907UNINA