03095nam 22006132 450 991045532830332120151005020621.01-107-11992-80-521-03715-80-511-30249-50-511-61314-80-511-15540-90-511-04997-81-280-42959-30-511-17521-3(CKB)111056485621374(EBL)202241(OCoLC)814392698(SSID)ssj0000124417(PQKBManifestationID)11140850(PQKBTitleCode)TC0000124417(PQKBWorkID)10017525(PQKB)10858030(UkCbUP)CR9780511613142(MiAaPQ)EBC202241(Au-PeEL)EBL202241(CaPaEBR)ebr10064312(CaONFJC)MIL42959(EXLCZ)9911105648562137420141103d2000|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe cognitive semiotics of film /Warren Buckland[electronic resource]Cambridge :Cambridge University Press,2000.1 online resource (xi, 174 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-78005-5 0-511-01368-X Includes bibliographical references (p. 163-169) and index.Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; IndexIn The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.Motion picturesSemioticsMotion picturesSemiotics.791.43/01/4Buckland Warren780428UkCbUPUkCbUPBOOK9910455328303321Cognitive Semiotics of Film1677962UNINA01220nam a2200301 i 450099100009127970753620020509161946.0010514s1975 it ||| | ita b1130960x-39ule_instPARLA201686ExLDip.to Filosofiaita335.4Manacorda, Gastone133640Rivoluzione borghese e socialismo :studi e saggi /Gastone ManacordaRoma :Editori riuniti,1975403 p. ;23 cm.Biblioteca di storia ;51SocialismoSec. 19.-20.SocialismoSaggiBorghesiaSaggi.b1130960x23-02-1701-07-02991000091279707536LE005IF XXXVII F 121LE005IFA-12283le005-E0.00-l- 00000.i1147855x01-07-02LE005 Ist.Fil. XII H 391LE004-4893le005-E0.00-l- 00000.i1147854801-07-02LE009 STOR.80-8612009000259614le009-E0.00-l- 00000.i1312595309-03-04Rivoluzione borghese e socialismo486973UNISALENTOle005le00901-01-01ma -itait 01