04208nam 2200709 a 450 991045487250332120200520144314.00-674-03710-310.4159/9780674037106(CKB)1000000000805488(StDuBDS)AH23050690(SSID)ssj0000246190(PQKBManifestationID)11186311(PQKBTitleCode)TC0000246190(PQKBWorkID)10180771(PQKB)10209441(MiAaPQ)EBC3300630(Au-PeEL)EBL3300630(CaPaEBR)ebr10328807(OCoLC)923112464(DE-B1597)574493(DE-B1597)9780674037106(EXLCZ)99100000000080548820030709d2004 uy 0engur|||||||||||txtccrSincerity's shadow[electronic resource] self-consciousness in British romantic and mid-twentieth-century American poetry /Deborah ForbesCambridge, Mass. Harvard University Press20041 online resource (viii, 244 p.)Formerly CIP.Uk0-674-01188-0 Includes bibliographical references (p. [197]-239) and index.Introduction 1. The Personal Universal Sincerity as Integrity in the Poetry of Wordsworth and Rich 2. Before and After Sincerity as Form in the Poetry of Wordsworth, Lowell, Rich, and Plath 3. Sincerity and the Staged Confession The Monologues of Browning, Eliot, Berryman, and Plath 4. The Drama of Breakdown and the Breakdown of Drama The Charismatic Poetry of Byron and Sexton 5. Agnostic Sincerity The Poet as Observer in the Work of Keats, Bishop, and Merrill Conclusion Notes IndexIn essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Deborah Forbes reveals unexpected convergences of poetic strategy.In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry.English poetry19th centuryHistory and criticismSelf-consciousness (Awareness) in literatureAmerican poetry20th centuryHistory and criticismPostmodernism (Literature)English-speaking countriesRomanticismEnglish-speaking countriesSincerity in literatureSelf in literatureElectronic books.English poetryHistory and criticism.Self-consciousness (Awareness) in literature.American poetryHistory and criticism.Postmodernism (Literature)RomanticismSincerity in literature.Self in literature.821/.709353Forbes Deborah595980MiAaPQMiAaPQMiAaPQBOOK9910454872503321Sincerity's shadow991581UNINA01799nam 2200373 n 450 99638671100331620200824121007.0(CKB)1000000000622061(EEBO)2240944891(UnM)99869046e(UnM)99869046(EXLCZ)99100000000062206119940713d1659 uy |engurbn||||a|bb|The gospels glory, without prejudice to the law[electronic resource] shining forth in the glory of God [brace] the Father, the Sonne, the Holy Ghost, for the salvation of sinners, who through grace do believe according to the draught of the apostle Paul in Rom. 8.ver. 3.4. Held out to publick view. /By the ministerial labours of Richard Byfield, M.A. Pastor in Long-Ditton; and teaching on Thursedayes weekly in Kingston upon Thames, SurreyLondon, Printed by E.M. for Adoniram Byfield at the three Bibles in Corn-hil, next door to Popes-head Alley.1659[20], 378, [4] pThe words: 'the Father, .. Ghost' are enclosed with a left bracket on the title page.With two final leaves of advertisement for books sold by Adoniram Byfield.Annotation on Thomason copy: "February"; also the last number of the imprint date has been marked through and replaced with an "8".Reproduction of the original in the British Library.eebo-0018SalvationEarly works to 1800SalvationByfield Richard1598?-1664.1001996Cu-RivESCu-RivESCStRLINWaOLNBOOK996386711003316The gospels glory, without prejudice to the law2362885UNISA