02881nam 22006493u 450 991045483600332120210114195830.00-520-92379-01-59734-993-3(CKB)111056485639876(EBL)223029(OCoLC)475926985(SSID)ssj0000270388(PQKBManifestationID)11194133(PQKBTitleCode)TC0000270388(PQKBWorkID)10261414(PQKB)10453059(MiAaPQ)EBC223029(EXLCZ)9911105648563987620130418d2000|||| u|| |engur|n|---|||||txtccrWestern Music and Its Others[electronic resource] Difference, Representation, and Appropriation in MusicBerkeley University of California Press20001 online resource (373 p.)Description based upon print version of record.0-520-22083-8 Preliminaries; CONTENTS; Introduction; 1. Musical Belongings: Western Music and Its Low-Other; 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril"; 3. Bartók, the Gypsies, and Hybridity in Music; 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940; 5. Experimental Oriental: New Music and Other Others; 6. Composing the Cantorate: Westernizing Europe's Other Within; 7. East, West, and Arabesk; 8. Scoring the Indian: Music in the Liberal Western; 9. The Poetics and Politics of Pygmy Pop; 10. International Times: Fusions, Exoticism11. The Discourse of World Musiccontributors; indexThis innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind.MusicMusic-- 20th century-- Social aspectsMusicSocial aspectsMusic PhilosophyHILCCMusicHILCCMusic, Dance, Drama & FilmHILCCElectronic books.Music.Music-- 20th century-- Social aspects.MusicSocial aspectsMusic PhilosophyMusicMusic, Dance, Drama & Film780.9781.6Born Georgina883318Hesmondhalgh David472559AU-PeELAU-PeELAU-PeELBOOK9910454836003321Western Music and Its Others1973016UNINA