02841nam 2200589 a 450 991045482230332120200520144314.01-78371-621-51-84964-531-00-585-42569-8(CKB)111056486518442(StDuBDS)AH22933817(SSID)ssj0000223572(PQKBManifestationID)11187895(PQKBTitleCode)TC0000223572(PQKBWorkID)10182095(PQKB)10612909(MiAaPQ)EBC3386144(MiAaPQ)EBC5390980(Au-PeEL)EBL3386144(CaPaEBR)ebr10479616(CaONFJC)MIL987232(OCoLC)50791730(EXLCZ)9911105648651844220020318d2001 uy 0engur|||||||||||txtccrPolitical film[electronic resource] the dialectics of third cinema /Mike WayneLondon ;Sterling, Va. Pluto Press20011 online resource (176 p.) Bibliographic Level Mode of Issuance: Monograph0-7453-1669-7 0-7453-1670-0 Includes bibliographical references (p. 157-160) and index.Third Cinema is a cinema committed to social and cultural emancipation. In this book, Mike Wayne argues that Third Cinema is absolutely central to key debates concerning contemporary film practices and cultures. As a body of films, Third Cinema expands our horizons of the medium and its possibilities. Wayne develops Third Cinema theory by exploring its dialectical relations with First Cinema (dominant,commercial) and Second Cinema (arthouse,auteur). Discussing an eclectic range of films, from Evita to Dollar Mambo, The Big Lebowski to The Journey, Amistad to Camp de Thiaroye, Political Film explores the affinities and crucial political differences between First and Third Cinema. Third Cinema's relationship with Second Cinema is explored via the cinematic figure of the bandit (Bandit Queen, The General, Eskiya). The continuities and differences with European precursors such as Eisenstein, Vertov, Lukacs, Brecht and Walter Benjamin are also assessed. The book is a polemical call for a film criticism that is politically engaged with the life of the masses.Motion picturesDeveloping countriesMotion picturesPolitical aspectsDeveloping countriesElectronic books.Motion picturesMotion picturesPolitical aspects791.43/09172/4Wayne Mike880140MiAaPQMiAaPQMiAaPQBOOK9910454822303321Political film2450712UNINA