02667nam 2200553Ia 450 991045462780332120200520144314.00-8166-5642-8(CKB)1000000000723052(EBL)433195(OCoLC)318220476(SSID)ssj0000263520(PQKBManifestationID)11256232(PQKBTitleCode)TC0000263520(PQKBWorkID)10282165(PQKB)10684585(MiAaPQ)EBC433195(MdBmJHUP)muse39977(Au-PeEL)EBL433195(CaPaEBR)ebr10277729(CaONFJC)MIL525831(EXLCZ)99100000000072305220080319d2008 uy 0engur|||||||nn|ntxtccrUlrike Ottinger[electronic resource] the autobiography of art cinema /Laurence A. RickelsMinneapolis University of Minnesota Pressc20081 online resource (225 p.)Description based upon print version of record.0-8166-5331-3 0-8166-5330-5 Includes bibliographical references (p. 197-207).CONTENTS; ACKNOWLEDGMENTS; A NOTE ON THE PHOTOGRAPHS; PREFACE; INTRODUCTION: ART/CINEMA, ART/JOURNALISM; 1. BOUNCING BIO; 2. SATANIC ARTS; 3. BETWEEN MEDIA; 4. HIT AND MISS; 5. OPERATION ART; 6. THE ART OF EVERYDAY LIFE; 7. JOHANNA'S ARK; OR, DOCUMENTARY FILM'S COVENANT WITH ART CINEMA; 8. REAL TIME TRAVEL; 9. I WAS THERE; 10. CURTAINS; 11. MY LAST INTERVIEW WITH ULRIKE OTTINGER; 12. TOTEM TABOO; 13. GOING APE; WORKS CITEDSince 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of OttinMotion picture producers and directorsElectronic books.Motion picture producers and directors.791.43023/3092Rickels Laurence A886893MiAaPQMiAaPQMiAaPQBOOK9910454627803321Ulrike Ottinger2242321UNINA