02739nam 22006614a 450 991045415550332120200520144314.01-281-95714-397866119571480-226-32869-410.7208/9780226328690(CKB)1000000000579027(EBL)408481(OCoLC)476229271(SSID)ssj0000253297(PQKBManifestationID)11227800(PQKBTitleCode)TC0000253297(PQKBWorkID)10186729(PQKB)10243746(StDuBDS)EDZ0000122460(MiAaPQ)EBC408481(DE-B1597)524477(OCoLC)1058090740(DE-B1597)9780226328690(Au-PeEL)EBL408481(CaPaEBR)ebr10265903(CaONFJC)MIL195714(EXLCZ)99100000000057902720070427d2007 uy 0engur|n|---|||||txtccrSubversive sounds[electronic resource] race and the birth of jazz in New Orleans /Charles HerschChicago University of Chicago Pressc20071 online resource (304 p.)Description based upon print version of record.0-226-32867-8 Includes bibliographical references (p. 247-270), discography (p. 271-273), and index.Places -- Reaction -- Musicians -- Music -- Dissemination : Morton, La Rocca, and Armstrong.Subversive Sounds probes New Orleans's history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans's complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of mJazzLouisianaNew OrleansHistory and criticismMusicSocial aspectsLouisianaNew OrleansHistoryMusic and raceElectronic books.JazzHistory and criticism.MusicSocial aspectsHistory.Music and race.781.65/20976335Hersch Charles1956-871853MiAaPQMiAaPQMiAaPQBOOK9910454155503321Subversive sounds1946310UNINA