04466nam 2200649 450 991045385900332120200520144314.01-78320-301-31-78320-300-5(CKB)2550000001277111(EBL)1678724(SSID)ssj0001218550(PQKBManifestationID)11653658(PQKBTitleCode)TC0001218550(PQKBWorkID)11210487(PQKB)10747121(MiAaPQ)EBC1678724(Au-PeEL)EBL1678724(CaPaEBR)ebr10863005(CaONFJC)MIL599271(OCoLC)880910625(EXLCZ)99255000000127711120140430h20142014 uy 0engurcnu||||||||txtccrThe emergence of video processing tools television becoming unglued /edited by Kathy High, Sherry Miller Hocking and Mona JimenezBristol, England ;Chicago, Illinois :Intellect Ltd,2014.©20141 online resource (738 p.)Includes index.1-84150-663-X 1-306-68020-4 Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San FranciscoThe Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) ToolA Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of DefinitionsExpanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil MortonProposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back CoverThe Emergence of Video Processing Tools presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960's and 70's.Image processingData processingArt and scienceExhibitionsElectronic books.Image processingData processing.Art and science776.6High KathrynHocking Sherry MillerJimenez MonaMiAaPQMiAaPQMiAaPQBOOK9910453859003321The emergence of video processing tools1940554UNINA