03904oam 2200649I 450 991045073960332120200520144314.01-134-57621-81-280-24034-20-203-31296-1978661024034010.4324/9780203312964 (CKB)1000000000448107(EBL)199367(OCoLC)252737167(SSID)ssj0000129586(PQKBManifestationID)11147521(PQKBTitleCode)TC0000129586(PQKBWorkID)10078802(PQKB)10955390(MiAaPQ)EBC199367(Au-PeEL)EBL199367(CaPaEBR)ebr10163254(CaONFJC)MIL24034(OCoLC)62284930(EXLCZ)99100000000044810720180706d2005 uy 0engur|n|---|||||txtccrContemporary American independent film from the margins to the mainstream /edited by Chris Holmlund and Justin WyattLondon ;New York :Routledge,2005.1 online resource (321 p.)Includes bibliographical references and index.0-415-25487-6 0-415-25486-8 Cover; Title; Copyright; Dedication; Contents; List of illustrations; Notes on contributors; Acknowledgements; 1 Introduction: from the margins to the mainstream; PART I Critical formations; 2 Introduction to 'critical formations'; 3 Ordinary people, European-style: or how to spot an independent feature; 4 Independence for independents; 5 Dimension Pictures: portrait of a 1970s' independent; 6 End of the indies: Death of the Sayles men; 7 Alternative cinemas; PART II Cult film/cool film; 8 'Queen of the indies': Parker Posey's niche stardom and the taste cultures of independent film9 Dark, disturbing, intelligent, provocative, and quirky: avant-garde cinema of the 1980s and 1990s10 Communitarianism, film entrepreneurism, and the crusade of Troma Entertainment; PART III Iconoclasts and auteurs; 11 John Sayles, independent filmmaker: 'Bet on yourself'; 12 Haile Gerima: 'Sacred shield of culture'; 13 Seminal fantasies: Wakefield Poole, pornography, independent cinema and the avant-garde; PART IV Identity hooks cultural binds; 14 Generation Q's ABCs: queer kids and 1990s' independent films; 15 Just another girl outside the neo-indie16 Guests at The Wedding Banquet: the cinema of the Chinese diaspora and the rise of the American independentsPART V Shifting markets, changing media; 17 Revisiting 1970s' independent distribution and marketing strategies; 18 Digital deployment(s); 19 The IFC and Sundance: channeling independence; IndexFrom Easy Rider to The Blair Witch Project, this book is a comprehensive examination of the independent film scene. Exploring the uneasy relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the diversity of independent film practices.They consider the ways in which indie films are marketed and distributed, and how new technologies such as video, cable and the internet, offered new opportunities for filmmakers to produce and market independent films.Turning to the worMotion picturesUnited StatesHistoryIndependent filmmakersUnited StatesElectronic books.Motion picturesHistory.Independent filmmakers791.43/0973Holmlund Chris879405Wyatt Justin1963-1030604MiAaPQMiAaPQMiAaPQBOOK9910450739603321Contemporary American independent film2447573UNINA02949nam 2200613Ia 450 991045369990332120211203220640.01-281-80382-097866118038270-567-05619-8(CKB)1000000000553636(EBL)436406(OCoLC)646698056(SSID)ssj0000229837(PQKBManifestationID)12066665(PQKBTitleCode)TC0000229837(PQKBWorkID)10177130(PQKB)11699767(MiAaPQ)EBC436406(Au-PeEL)EBL436406(CaPaEBR)ebr10250997(CaONFJC)MIL180382(OCoLC)893334085(EXLCZ)99100000000055363619951130d1995 uy 0engur|n|---|||||txtccrPsalms of the way and the kingdom[electronic resource] a conference with the commentators /J.H. EatonSheffield, England Sheffield Academic Pressc19951 online resource (145 p.)Journal for the study of the Old Testament. Supplement series ;199Description based upon print version of record.0-567-27489-6 1-85075-552-3 Includes bibliographical references and indexes.Contents; Preface; Abbreviations; Introduction; PART I: PSALMS 1, 19 AND 119; Chapter 1 THE COMMENTATORS; Chapter 2 CONCLUSIONS; PART II: PSALMS 93, 97 AND 99; Chapter 3 THE COMMENTATORS; Chapter 4 CONCLUSIONS; Appendix; Nahum H. Sarna on Psalm 1; Georg Fohrer on Psalm 19; Will Soll on Psalm 119; Bibliography; Index of Hebrew Words; Index of Biblical References; Index of Authors and Subjects; A; B; C; D; E; F; G; H; J; K; L; M; N; O; Q; R; S; T; U; V; W; YJohn Eaton, well known for his Psalms commentary, here offers a new model of commentary-writing. The psalms treated are those exalting God's Torah (Psalms 1, 19, 119) and those proclaiming his kingship (93, 97, 99). A detailed examination is made of the treatment of these psalms by selected exegetes from Delitzsch to the present. General conclusions are then drawn for such questions as dating, text, unity, meaning, piety, theology, and relation to prophecy. Both groups of psalms are found to contain great riches of religious insight and experience, which exegetes have rarely come within rangeJournal for the study of the Old Testament.Supplement series ;199.Psalms (Music)Electronic books.Psalms (Music)223.206223/.206Eaton J. H(John Herbert),1927-2007.976872MiAaPQMiAaPQMiAaPQBOOK9910453699903321Psalms of the way and the kingdom2515627UNINA