03717nam 22007572 450 991045362780332120151005020622.01-107-42411-91-139-89099-91-107-42188-81-107-41919-01-107-42043-11-139-14944-X1-107-41654-X1-107-41787-2(CKB)2550000001138775(EBL)1394545(OCoLC)863821801(SSID)ssj0000999572(PQKBManifestationID)12416936(PQKBTitleCode)TC0000999572(PQKBWorkID)10933925(PQKB)11324916(UkCbUP)CR9781139149440(MiAaPQ)EBC1394545(Au-PeEL)EBL1394545(CaPaEBR)ebr10774115(CaONFJC)MIL538445(OCoLC)859537281(EXLCZ)99255000000113877520110822d2013|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierVotive panels and popular piety in early modern Italy /Fredrika H. Jacobs, Virginia Commonwealth University, Richmond[electronic resource]Cambridge :Cambridge University Press,2013.1 online resource (xiii, 248 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).1-107-02304-1 1-306-07194-1 Includes bibliographical references and index.1. Dialogues of devotion: an introduction; 2. Tavolette votive: form, function, context; 3. Determining functional value: attestations of fact and faith; 4. Narrative modes; 5. Signs of faith, signs of superstition.In the late fifteenth century, votive panel paintings, or tavolette votive, began to accumulate around reliquary shrines and miracle-working images throughout Italy. Although often dismissed as popular art of little aesthetic consequence, more than 1,500 panels from the fifteenth and sixteenth centuries are extant, a testimony to their ubiquity and importance in religious practice. Humble in both their materiality and style, they represent donors in prayer and supplicants petitioning a saint at a dramatic moment of crisis. In this book, Fredrika H. Jacobs traces the origins and development of the use of votive panels in this period. She examines the form, context and functional value of votive panels, and considers how they created meaning for the person who dedicated them as well as how they accrued meaning in relationship to other images and objects within a sacred space activated by practices of cultic culture.Votive Panels & Popular Piety in Early Modern ItalyVotive offeringsItalyPanel painting, Italian15th centuryPanel painting, Italian16th centuryChristian art and symbolismItalyModern period, 1500-Christianity and cultureItalyHistory16th centuryArt and popular cultureItalyHistory16th centuryVotive offeringsPanel painting, ItalianPanel painting, ItalianChristian art and symbolismChristianity and cultureHistoryArt and popular cultureHistory755/.20945Jacobs Fredrika Herman1042527UkCbUPUkCbUPBOOK9910453627803321Votive panels and popular piety in early modern Italy2466827UNINA02631nam 2200517 450 991081330140332120230526233217.01-4532-6517-1(CKB)3710000000232231(EBL)1803395(SSID)ssj0001506878(PQKBManifestationID)11820377(PQKBTitleCode)TC0001506878(PQKBWorkID)11492620(PQKB)11301228(MiAaPQ)EBC1803395(Au-PeEL)EBL1803395(OCoLC)892799984(EXLCZ)99371000000023223120190123d2014 uy 1engur|n|---|||||txtccrJane Eyre an autobiography /Charlotte BrontèˆNew York :Open Road Integrated Media,[2014]1 online resource (1005 p.)Description based upon print version of record.Cover; Title Page; Contents; Preface; Note to the Third Edition; Chapter I; Chapter II; Chapter III; Chapter IV; Chapter V; Chapter VI; Chapter VII; Chapter VIII; Chapter IX; Chapter X; Chapter XI; Chapter XII; Chapter XIII; Chapter XIV; Chapter XV; Chapter XVI; Chapter XVII; Chapter XVIII; Chapter XIX; Chapter XX; Chapter XXI; Chapter XXII; Chapter XXIII; Chapter XXIV; Chapter XXV; Chapter XXVI; Chapter XXVII; Chapter XXVIII; Chapter XXIX; Chapter XXX; Chapter XXXI; Chapter XXXII; Chapter XXXIII; Chapter XXXIV; Chapter XXXV; Chapter XXXVI; Chapter XXXVII; Chapter XXXVIII--ConclusionCharlotte Brontèˆ's enduring classic-the story of a young woman's quest for love and acceptance in Victorian EnglandThe young orphan Jane Eyre inhabits a fragile position. Born to a good family but with no wealth of her own, Jane is sent to live with her uncle's family-an arrangement that turns sour when he dies-and then to Lowood, a punitive and tyrannically run boarding school for girls. As she matures into adulthood, Jane's fiery spirit and independence grow more acute, as does her sensitivity to the world around her. Now governess of the secluded Thornfield Hall, the first place she has eveGovernessesFictionFathers and daughtersFictionMentally ill womenFictionGovernessesFathers and daughtersMentally ill women823.8Brontèˆ Charlotte1816-1855,386910MiAaPQMiAaPQMiAaPQBOOK9910813301403321Jane Eyre13698UNINA