02485nam 2200577 a 450 991045356600332120200520144314.01-281-82556-597866118255600-19-155272-0(CKB)1000000000552948(EBL)415740(OCoLC)476244632(SSID)ssj0000241082(PQKBManifestationID)11176609(PQKBTitleCode)TC0000241082(PQKBWorkID)10267902(PQKB)11097094(MiAaPQ)EBC415740(Au-PeEL)EBL415740(CaPaEBR)ebr10254505(CaONFJC)MIL182556(EXLCZ)99100000000055294820080314d2008 uy 0engur|n|---|||||txtccrSamuel Taylor Coleridge and the fine arts[electronic resource] /Morton D. PaleyOxford ;New York Oxford University Press20081 online resource (291 p.)Description based upon print version of record.0-19-923305-5 Includes bibliographical references (p. [244]-263) and index.Initiation -- Italy -- What Coleridge saw -- Allston redux -- Coleridge on the fine arts -- The principles common to the fine arts.In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the collections Coleridge saw and his thoughts about the arts and about specific works. - ;Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from BArt and literatureEnglandHistory19th centuryArt appreciationEnglandHistory19th centuryElectronic books.Art and literatureHistoryArt appreciationHistory821/.7Paley Morton D202471MiAaPQMiAaPQMiAaPQBOOK9910453566003321Samuel Taylor Coleridge and the fine arts1108942UNINA