03425nam 2200661 450 991045327520332120200520144314.00-520-95803-910.1525/9780520958036(CKB)2550000001180277(SSID)ssj0001085334(PQKBManifestationID)11576073(PQKBTitleCode)TC0001085334(PQKBWorkID)11048522(PQKB)10306617(StDuBDS)EDZ0000230082(MiAaPQ)EBC1589130(OCoLC)867819222(MdBmJHUP)muse33444(DE-B1597)519414(DE-B1597)9780520958036(Au-PeEL)EBL1589130(CaPaEBR)ebr10826596(CaONFJC)MIL560391(EXLCZ)99255000000118027720140128h20142014 uy 0engur|||||||||||txtccrReclaiming late-romantic music singing devils and distant sounds /Peter FranklinBerkeley, California :University of California Press,2014.©20141 online resource (224 pages)Ernest Bloch Lectures ;14Ernest Bloch lecturesBibliographic Level Mode of Issuance: Monograph0-520-28039-3 1-306-29140-2 Includes bibliographical references and index.Frontmatter --Contents --Illustrations --Introduction --1. Setting the Scene: Grandiose Symphonics and the Trouble with Art --2. Pessimism, Ecstasy, and Distant Voices: Listening to Late-Romanticism --3. Sunsets, Sunrises, and Decadent Oceanics --4. Making the World Weep (Problems with Opera) --5. Late-Romanticism Meets Classical Music at the Movies --6. The Bitter Truth of Modernism: A Late-Romantic Story --Notes --IndexWhy are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom (via work by composers such as Max Steiner, Erich Wolfgang Korngold, and their successors) bring late-romantic music to thousands of listeners who have never set foot in a concert hall. Reclaiming Late-Romantic Music sheds new light on these often unfairly disparaged works and explores the historical dimension of their continuing role in the contemporary sound world.Ernest Bloch lectures.Music19th centuryHistory and criticismMusicPhilosophy and aestheticsElectronic books.MusicHistory and criticism.MusicPhilosophy and aesthetics.780.9/034Franklin Peter785130MiAaPQMiAaPQMiAaPQBOOK9910453275203321Reclaiming late-romantic music2462269UNINA01357nam a22004095i 4500991002254749707536cr nn 008mamaa121227s1997 de | s |||| 0|eng d9783540695943b14145261-39ule_instBibl. Dip.le Aggr. Matematica e Fisica - Sez. Matematicaeng515.35323AMS 35A05AMS 35A15 AMS 35A35AMS 65D10AMS 65D25AMS 46E35AMS 34B15AMS 34B27AMS 31C25AMS 81V99Neuberger, John William478931Sobolev gradients and differential equations[e-book] /by John William NeubergerBerlin :Springer,19971 online resource (xiii, 152 p.)Lecture Notes in Mathematics,0075-8434 ;1670MathematicsDifferential equationsNumerical analysisSpringer eBookshttp://dx.doi.org/10.1007/BFb0092831An electronic book accessible through the World Wide Web.b1414526103-03-2205-09-13991002254749707536Sobolev gradients and differential equations261827UNISALENTOle01305-09-13m@ -engde 00