04295nam 2200697 a 450 991045318750332120211005082457.01-280-84550-397866108455070-19-802800-8(CKB)1000000000550554(StDuBDS)AH24085215(SSID)ssj0000365866(PQKBManifestationID)12151256(PQKBTitleCode)TC0000365866(PQKBWorkID)10414205(PQKB)10859040(SSID)ssj0000309541(PQKBManifestationID)11214121(PQKBTitleCode)TC0000309541(PQKBWorkID)10283578(PQKB)11744777(MiAaPQ)EBC431124(Au-PeEL)EBL431124(CaPaEBR)ebr10317698(CaONFJC)MIL84550(OCoLC)609831947(MiAaPQ)EBC2012776(Au-PeEL)EBL2012776(OCoLC)814481424(EXLCZ)99100000000055055420091012d2005 uy 0engur|||||||||||txtccrSinging Schumann[electronic resource] an interpretive guide for performers /Richard MillerOxford Oxford University Press20051 online resource (272 p. ) illBibliographic Level Mode of Issuance: Monograph0-19-511904-5 0-19-518197-2 Includes bibliographical references (p. 237-238) and index.Why This Book Was Written; 1. Robert Schumann as Song Composer; 2. Performance Practices in the Schumann Lieder; 3. Liederkreis (Heine), Opus 24; 4. Myrten, Opus 25; 5. Kerner Lieder, Opus 35; 6. Reinick Lieder, Opus 36; 7. Ruckert Lieder (Zwolf Gedichte aus "Liebesfruhling"), Opus 37; 8. Liederkries (Eichendorff), Opus 39; 9. Funf Lieder (Andersen and Chamisso), Opus 40; 10. Frauenliebe and -leben, (Chamisso), Opus 42; 11. Dichterliebe (Heine), Opus 48; 12. Opus 45 and Opus 57; 13. Opus 53; 14. Some Other Early Lieder: Opuses 27, 30, 31, 49; 15. Opus 127 and Opus 142; 16. Opus 51; 17. Opus 64; 18. Opus 77; 19. Liederalbum fur die Jugend, Opus 79; 20. Opus 83 and Opus 87; 21. Sechs Gesange, Opus 89 (von der Neun), and Opus 90 (Lenau); 22. Drei Gesange (Byron), Opus 95, and Opus 96; 23. Lieder and Gesange aus Wilhelm Meister (Goethe), Opus 98a; 24. Sieben Lieder (Kulmann), Opus 104, Opus 107, and Vier Husarenlieder (Lenau), Opus 117; 25. Opus 119, Opus 125, and Maria Stuart Lieder, Opus 135; 26. Solos and Duets from the Ensemble Collections: Opuses 29, 34, 37, 43, 74, 78, 79, 101, 103, 112, 138; 27. Provenzalisches Lied, #4, Ballade, #7, Opus 139, and Der Contrabandiste, Opus 74, AppOffering practical suggestions for the interpretation of all Schumann's solo and duet songs, this text provides for singers and pianists perspectives which can be used to bring to life the work of the German composer.To restrict performance of the Schumann Lieder to the "familiar forty" is to deprive the singer and pianist of a major reservoir of superior song. Thus Singing Schumann not only takes an in-depth look at the widely performed middle and late Lieder, it also fully reconsiders the early songs. Offering the same readability and informed insights in this volume that distinguished his acclaimed On the Art of Singing (OUP 1996), Miller presents a practical manual to help singers and pianists bring Robert Schumann's Lieder to life in performance. He also provides cogent suggestions for interpretation of all of Schumann's solo and duet songs, useful pointers that are grounded in a thorough understanding of Schumann's compositional style and its full historical background.Songs, GermanAnalysis, appreciationSongs, GermanHistory and criticismElectronic books.Songs, GermanAnalysis, appreciation.Songs, GermanHistory and criticism.782.42168092Miller Richard1926-2009.929661MiAaPQMiAaPQMiAaPQBOOK9910453187503321Singing Schumann2445967UNINA02722nam 2200625Ia 450 991077771950332120230207230308.01-282-30948-X97866123094891-4411-1543-9(CKB)1000000000754718(EBL)436761(OCoLC)654685582(SSID)ssj0000133560(PQKBManifestationID)11129477(PQKBTitleCode)TC0000133560(PQKBWorkID)10041909(PQKB)10691402(MiAaPQ)EBC436761(Au-PeEL)EBL436761(CaPaEBR)ebr10333156(CaONFJC)MIL230948(OCoLC)893334421(EXLCZ)99100000000075471819990222d2000 uy 0engur|n|---|||||txtccrCultural studies and the working class[electronic resource] subject to change /edited by Sally R. MuntLondon ;New York Cassellc20001 online resource (254 p.)Description based upon print version of record.0-304-70548-9 0-304-70549-7 Includes bibliographical references and index.Contents; Contributors; Introduction; Part 1: Issues in Working-Class Identity and Methodology; Part 2: Class, Taste and Space; Part 3: Gender, Fictions and Working-Class Subjectivities; IndexThis work challenges the field of British cultural studies to return to the question of social class as a primary focus of study. The chapters examine contemporary working-class life and its depiction in the media through a number of case studies on topics such as popular cinema, football, romance magazines and club culture. The essays pose methodologies for understanding working-class responses to dominant culture, and explore the contradictions and limitations of the traditional Marxist model. The book's contributors conclude that it is time for cultural theorists to revisit issues of workinIndustriesGreat BritainHistory20th centurySex roleGreat BritainHistory20th centuryWorking classGreat BritainHistory20th centuryGreat BritainSocial conditions20th centuryIndustriesHistorySex roleHistoryWorking classHistory305.5/62/0941Munt Sally1141869MiAaPQMiAaPQMiAaPQBOOK9910777719503321Cultural studies and the working class3762979UNINA