02532nam 22004333u 450 991045313470332120210114203826.01-4804-1341-0(CKB)2550000001127859(EBL)1807777(MiAaPQ)EBC1807777(Au-PeEL)EBL1807777(CaONFJC)MIL528493(OCoLC)892245614(EXLCZ)99255000000112785920141006d2013|||| u|| |engur|n|---|||||txtrdacontentcrdamediacrrdacarrierFacts and Fancies[electronic resource] Essays Written Mostly for FunNewburyport Delphinium Books20131 online resource (195 p.)Description based upon print version of record.1-299-97242-X Cover; Title Page; Contents; Foreword; Introduction; Facts; Why I Make Dances; An Early Interview; Letters to Susie; The Redheaded Spiritualist; A Perplexing Situation; Boat Trip; Aureole; Martha Close Up; Clytemnestra; 911; Two Bozos Seen Through Glass: An Epiphany; The Strange Story of How I Chased...; Art; Fancies; Foreword to Private Domain; Reapplication to O.H.E.C.; How to Tell Ballet from Modern; In the Marceel Proust Suite of L''Hotel Continental; Fantasy About Joining the CIA; Death Wish; Tricks of the Trade; There is a Time; Limerick for Jennifer Tipton; The Last ThumpLove is a Dog from HellPoggie in the Quiet; The Shirley Temple Murders; Chapter One; Chapter Two; Michael, The Medium-sized Bee; My Dear Dogmatist; Acknowledgments; Copyright"No other dancer ever looked like Paul Taylor, that strapping, elastic, goofy hunk of a guy, and no one else's dance works look like his either-not the deep, dark ones or the zany ones or the uplifting ones. His vocabulary, his tone are unique and unmistakable. The same thing is true, it turns out, about his writing. His style is utterly his own, and like all real style it isn't a calculated voice but a reflection of the way his quirky mind works." -From the foreword by Robert Gottlieb "Taylor has not cultivated one writing persona, but has unleashed a raft of voices in a raft of forms: traElectronic books.792.845Taylor Paul350655AU-PeELAU-PeELAU-PeELBOOK9910453134703321Facts and Fancies2442152UNINA