02571nam 2200589Ia 450 991045282720332120200520144314.01-280-77008-297866136808530-7391-6974-2(CKB)2550000000104162(EBL)943684(OCoLC)854520019(SSID)ssj0000681641(PQKBManifestationID)12313235(PQKBTitleCode)TC0000681641(PQKBWorkID)10655052(PQKB)10503052(MiAaPQ)EBC943684(Au-PeEL)EBL943684(CaPaEBR)ebr10570648(CaONFJC)MIL368085(EXLCZ)99255000000010416220111202d2012 uy 0engur|n|---|||||txtccrOmbra[electronic resource] supernatural music in the eighteenth century /Clive McClellandLanham, Md. Lexington Booksc20121 online resource (258 p.)Description based upon print version of record.0-7391-8817-8 0-7391-6973-4 Includes bibliographical references and index.Ombra; Contents; Introduction; Abbreviations; Chapter 1 Ombra Music in Context; Chapter 2 Tonality (Opera); Chapter 3 Harmony and Line (Opera); Chapter 4 Tempo and Rhythm (Opera); Chapter 5 Texture, Dynamics and Instrumentation (Opera); Chapter 6 Case Studies in Opera; Chapter 7 Ombra in Sacred Music; Chapter 8 Ombra in Instrumental Music; Chapter 9 Ombra after Mozart; Appendix A; Appendix B; Bibliography; Index; About the AuthorOmbra is the musical language employed when a composer wishes to inspire awe and terror in an audience. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular. He discusses a wide range of examples drawn from theatrical and sacred music, eventually drawing parallels between these features and Edmund Burke's 'sublime of terror,' thus placing ombra music in an impOpera18th centurySupernatural in operaElectronic books.OperaSupernatural in opera.780.9033McClelland Clive866203MiAaPQMiAaPQMiAaPQBOOK9910452827203321Ombra1933262UNINA