02772oam 2200745I 450 991045252900332120200520144314.00-415-86699-50-203-95389-41-135-37364-710.4324/9780203953891 (CKB)2550000001117552(EBL)1395516(OCoLC)864414139(SSID)ssj0001003992(PQKBManifestationID)12389966(PQKBTitleCode)TC0001003992(PQKBWorkID)11038012(PQKB)11616157(MiAaPQ)EBC1395516(Au-PeEL)EBL1395516(CaPaEBR)ebr10763768(CaONFJC)MIL517990(OCoLC)858861113(EXLCZ)99255000000111755220180331d2003 uy 0engur|n|---|||||txtccrOut of touch skin tropes and identities in Woolf, Ellison, Pynchon, and Acker /Maureen F. CurtinNew York :Routledge,2003.1 online resource (191 p.)Literary criticism and cultural theoryLiterary criticism and cultural theoryDescription based upon print version of record.0-415-94019-2 1-299-86739-1 Includes bibliographical references (pages 155-163) and index.Skin's eclipses in Virginia Woolf's Mrs. Dalloway -- Materializing invisibility as x-ray technology : skin matters in Ralph Ellison's Invisible man -- Skin harvests : automation and chromatism in Thomas Pynchon's "The secret integration" and Gravity's rainbow -- Scratching the sensory surface in Kathy Acker's Empire of the senseless.First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.Literary Criticism and Cultural TheoryAmerican fiction20th centuryHistory and criticismSkin in literatureIdentity (Psychology) in literatureHuman skin color in literatureHuman body in literatureTouch in literatureElectronic books.American fictionHistory and criticism.Skin in literature.Identity (Psychology) in literature.Human skin color in literature.Human body in literature.Touch in literature.813/.50935Curtin Maureen Frances1969,863154MiAaPQMiAaPQMiAaPQBOOK9910452529003321Out of touch1926868UNINA