04836nam 22006973u 450 991045246170332120210107033530.01-118-49987-5(CKB)2550000001095935(EBL)1245462(OCoLC)851695592(SSID)ssj0000917135(PQKBManifestationID)11576124(PQKBTitleCode)TC0000917135(PQKBWorkID)10891674(PQKB)11136098(MiAaPQ)EBC1245462(PPN)18163810X(EXLCZ)99255000000109593520131014d2013|||| u|| |engur|n|---|||||txtccrStudying Comics and Graphic Novels[electronic resource]Hoboken Wiley20131 online resource (192 p.)Description based upon print version of record.1-118-49992-1 1-299-71259-2 Studying Comics and Graphic Novels; Copyright; Contents; Acknowledgments; Introduction: How to Use This Book; What This Book Holds; Working Definitions; Recommended Reading; References; 1 What's in a Page: Close-Reading Comics; Cognitive Processes and Critical Terms; Navigating the Comics Page; Entering the Storyworld and Meeting its Participants; Comics Analysis - A Basic Checklist; Note; Recommended Reading; References; Comics Discussed; 2 The Way Comics Tell it: Narration and Narrators1; Showing and Telling; Story, Discourse, and Plot; The NarratorNarration, Focalization, and Point of ViewNarrative as Meaning-Making; Graphic Narrative - A Basic Checklist; Note; Recommended Reading; References; Comics Discussed; 3 Narrating Minds and Bodies: Autobiographical Comics; Style and Subjectivity; Autographic Agents; Embodiment; Self-Reflexivity; Time, Story, and History; Alternative Agendas and Authenticity; Note; Recommended Reading; References; Comics Discussed; 4 Novels and Graphic Novels: Adaptations; Transporting Stories; Media Affordances and Adaptation Strategies; Fidelity in Adaptation; Literary Complexity; The Page RevisitedRecommended ReadingReferences; Comics Discussed; 5 Comics and Their History; The Beginnings of Comics History; Precursors in Emergent Mass Culture; Newspaper Comics (1900s-1930s); The Comic Book (1930-54); Comics Censorship (1954); Comics as Popular Culture; Breaking the Code 1: Pop Art and Underground Comix; Breaking the Code 2: The British Invasion; Notes; Recommended Reading; References; Comics Discussed; 6 The Study and Criticism of Comics; Resources for Studying Comics; Access to Comics Texts; Critical Work on Comics; Critical Approaches to Comics; Comics Semiotics; Comics NarratologyCognitive Approaches to ComicsHistorical and Auteurist Approaches; Cultural Studies and Gender Studies; Psychoanalysis; Recommended Reading; References; How to Write Your Essay on Comics; The Crime Scene; The Witnesses; Making Your Case; End Credits; Recommended Reading; Conclusion; Comics as Literature; References; Appendix: More Comics and Graphic Novels to Read; Glossary; Index This introduction to studying comics and graphic novels is a structured guide to a popular topic. It deploys new cognitive methods of textual analysis and features activities and exercises throughout. Deploys novel cognitive approaches to analyze the importance of psychological and physical aspects of reader experienceCarefully structured to build a sequenced, rounded introduction to the subjectIncludes study activities, writing exercises, and essay topics throughoutDedicated chapters cover popular sub-genres such as autobiography and literary adaptatioComic books, strips, etc. -- History and criticismComic books, strips, etc. -- Study and teachingGraphic novels -- History and criticismComic books, strips, etcHistory and criticismGraphic novelsHistory and criticismLanguages & LiteraturesHILCCLiterature - GeneralHILCCElectronic books.Comic books, strips, etc. -- History and criticism.Comic books, strips, etc. -- Study and teaching.Graphic novels -- History and criticism.Comic books, strips, etcHistory and criticismGraphic novelsHistory and criticismLanguages & LiteraturesLiterature - General741.5741.59Kukkonen Karin1027334AU-PeELAU-PeELAU-PeELBOOK9910452461703321Studying Comics and Graphic Novels2442701UNINA