02822nam 22006251 450 991045245620332120200520144314.00-520-95690-710.1525/9780520956902(CKB)2550000001128786(EBL)1463632(OCoLC)867630918(SSID)ssj0001037471(PQKBManifestationID)12469029(PQKBTitleCode)TC0001037471(PQKBWorkID)11043338(PQKB)10640270(StDuBDS)EDZ0000229729(MiAaPQ)EBC1463632(DE-B1597)519926(DE-B1597)9780520956902(Au-PeEL)EBL1463632(CaPaEBR)ebr10777405(CaONFJC)MIL529420(EXLCZ)99255000000112878620130415h20142014 uy 0engurcnu||||||||txtccrThe tonadilla in performance lyric comedy in enlightenment Spain /Elisabeth Le GuinBerkeley :University of California Press,[2014]©20141 online resource (406 p.)Description based upon print version of record.0-520-27630-2 1-299-98169-0 Includes bibliographical references and index.An afternoon at the theater : an imaginary recreation -- Players -- Rhythms -- Bandits -- Late tonadillas.The tonadilla, a type of satiric musical skit popular on the public stages of Madrid during the late Enlightenment, has played a significant role in the history of music in Spain. This book, the first major study of the tonadilla in English, examines the musical, theatrical, and social worlds that the tonadilla brought together and traces the lasting influence this genre has had on the historiography of Spanish music. The tonadillas' careful constructions of musical populism provide a window onto the tensions among Enlightenment modernity, folkloric nationalism, and the politics of representation; their diverse, engaging, and cosmopolitan music is an invitation to reexamine tired old ideas of musical "Spanishness." Perhaps most radically of all, their satirical stance urges us to embrace the labile, paratextual nature of comic performance as central to the construction of history.TonadillasHistory and criticismOperasSpainElectronic books.TonadillasHistory and criticism.Operas782.1Le Guin Elisabeth1957-792371MiAaPQMiAaPQMiAaPQBOOK9910452456203321The tonadilla in performance2446720UNINA