02776nam 22006614a 450 991045222160332120200520144314.00-8166-9233-5(CKB)1000000000346872(EBL)310532(OCoLC)299571391(SSID)ssj0000284835(PQKBManifestationID)11222611(PQKBTitleCode)TC0000284835(PQKBWorkID)10261481(PQKB)11396531(MiAaPQ)EBC310532(OCoLC)133164694(MdBmJHUP)muse39953(Au-PeEL)EBL310532(CaPaEBR)ebr10151197(CaONFJC)MIL522623(EXLCZ)99100000000034687220000814d2001 ub 0engurcn|||||||||txtccrThe third hand[electronic resource] collaboration in art from conceptualism to postmodernism /Charles GreenMinneapolis University of Minnesota Pressc20011 online resource (266 p.)Description based upon print version of record.0-8166-3713-X 0-8166-3712-1 Includes bibliographical references (p. 201-234) and index.Contents; Acknowledgments; Introduction: Collaboration as Symptom; Part I. Collaboration as Administration; 1. Art by Long Distance; 2. Conceptual Bureaucracy; Part II. Collaboration, Anonymity, and Partnership; 3. Memory, Ruins, and Archives; 4. Memory Storage; 5. Memory and Ethics; Part III. Collaboration and the Third Hand; 6. Negotiated Identity; 7. Eliminating Personality; 8. Missing in Action; 9. Doubles, Doppelgängers, and the Third Hand; Conclusion: The Value Added Landscape; Notes; Index;Since the 1960's, a number of artists have challenged the dominant paradigm of art-that of the lone artist-by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art.Artist couplesCase studiesArtistic collaborationCase studiesConceptual artModernism (Art)PostmodernismElectronic books.Artist couplesArtistic collaborationConceptual art.Modernism (Art)Postmodernism.700/.9/04Green Charles1953-911426MiAaPQMiAaPQMiAaPQBOOK9910452221603321The third hand2287133UNINA