02715nam 2200601Ia 450 991045216940332120200520144314.00-8166-9491-5(CKB)1000000000346777(EBL)310703(OCoLC)476095793(SSID)ssj0000280330(PQKBManifestationID)11912418(PQKBTitleCode)TC0000280330(PQKBWorkID)10290672(PQKB)10784104(MiAaPQ)EBC310703(Au-PeEL)EBL310703(CaPaEBR)ebr10159561(CaONFJC)MIL522781(OCoLC)437188536(EXLCZ)99100000000034677720050119d2005 ub 0engur|n|---|||||txtccrWar machines[electronic resource] /Tom CohenMinneapolis University of Minnesota Pressc20051 online resource (318 p.)Hitchcock's cryptonymies ;2Description based upon print version of record.0-8166-4171-4 0-8166-4170-6 Includes bibliographical references and index.Contents; Acknowledgments; Preface; Introduction: Hitchcock's Esperanto; Part I. Travel Service Window; 1. Transports; 2. Combined Ops: The Postal Politics of Bon Voyage!; Part II. Prehistory of the Afterlife of Cinema; 3. A Performativity without Frame; 4. ""How Old Is Mae West?""; 5. Phoenix Rex: The Passing of Oedipus in Hitchcock; Part III. Jump Cuts; 6. Time Machines; 7. Matrixide; Part IV. The Black Sun; 8. Prosthesis of the Visible; 9. Upping the Ante: A Deauratic Cinema; 10. Hitchcock's Light Touch; Coda: Trouble at the Séance; Notes; Index of Films; A; B; D; E; F; I; J; L; M; N; P; RST; V; W; YThis second volume of Hitchcock's Cryptonomies presents the director's works as a radical collage of images and absences, letters and numbers, citations and sounds that together mark Hitchcock as a knowing figure who was entirely aware of his-and cinema's-place at the dawn of a global media culture, as well as of the cinema's revolutionary impact on perception and memory.Spy filmsHistory and criticismWar filmsHistory and criticismElectronic books.Spy filmsHistory and criticism.War filmsHistory and criticism.791.4302/33Cohen Tom1953-546277MiAaPQMiAaPQMiAaPQBOOK9910452169403321War machines2254286UNINA