05421nam 22006614a 450 991045211840332120200520144314.01-283-16215-6978661316215194-012-0003-31-4356-1341-4(CKB)1000000000481353(EBL)556866(OCoLC)714568409(SSID)ssj0000108082(PQKBManifestationID)11127520(PQKBTitleCode)TC0000108082(PQKBWorkID)10017662(PQKB)10756274(MiAaPQ)EBC556866(OCoLC)183317290(OCoLC)647915169(OCoLC)714568409(OCoLC)764536776(nllekb)BRILL9789401200035(PPN)199793670(Au-PeEL)EBL556866(CaPaEBR)ebr10380667(CaONFJC)MIL316215(EXLCZ)99100000000048135320071109d2007 uy 0engurcn|||||||||txtccrAvant-garde film[electronic resource] /edited by Alexander Graf and Dietrich ScheunemannAmsterdam ;New York Rodopi20071 online resource (400 p.)Avant garde critical studies ;23Description based upon print version of record.90-420-2305-8 Includes bibliographical references and index.Preliminary material /Editors Avant-Garde Film --Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film /R. Bruce Elder --Frames and Windows: Visual Space in Abstract Cinema /A.L. Rees --Paris – Berlin – Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's /Alexander Graf --Man Ray’s Films: From Dada to Surrealism /Rudolf E. Kuenzli --On Mário Peixoto’s Limite /Michael Korfmann --Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac /Tami M. Williams --Mayakovsky: Film: Futurism /Marina Burke --The Interiority of Space: Desire and Maya Deren /Maureen Turim --Stan Brakhage’s Film Testament: The Four Faust Films /Inez Hedges --Light-Play and the Aesthetics of Avant-Garde Film /William C. Wees --Paul Sharits: from Cinematic Movement to Nondirectional Motion /Yvonne Spielmann --Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel /Pierre Sorlin --It’s a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema /Bart Keunen and Sascha Bru --Peter Kubelka’s Arnulf Rainer /Nicky Hamlyn --Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics /Tania Ørum --French Experimental Cinema: the Figural and the Formless – Nicolas Rey’s Terminus for you (1996) and Pip Chodorov’s Charlemagne 2: Piltzer (2002) /Martine Beugnet --The Stammering Frame: on recent French and Austrian Film Experiments /Frédérique Devaux --Inscriptions of Light and The ‘Calligraphy of Decay’: Volatile Representation in Bill Morrison’s Decasia /Ursula Böser --From Video Art to Video Performance: The Work of Ulrike Rosenbach /Günter Berghaus --New Media and Feminist Interventions: Valie Export’s Medial Anagrams /Margit Grieb --The Paracinema of Anthony McCall and Tony Conrad /Jonathan Walley --List of Illustrations /Editors Avant-Garde Film --Contributors to this volume /Editors Avant-Garde Film --Index /Editors Avant-Garde Film.This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920's, to new trends emerging in the 1950's and 1960's and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.Avant-Garde Critical Studies23.Experimental filmsHistory and criticismAvant-garde (Aesthetics)Electronic books.Experimental filmsHistory and criticism.Avant-garde (Aesthetics)791.43Graf Alexander992727Scheunemann Dietrich879595MiAaPQMiAaPQMiAaPQBOOK9910452118403321Avant-garde film2273201UNINA