02916nam 2200673Ia 450 991045184760332120200520144314.01-280-49227-99786613587503(CKB)2550000000101784(EBL)915721(OCoLC)793996631(SSID)ssj0001055142(PQKBManifestationID)11579357(PQKBTitleCode)TC0001055142(PQKBWorkID)11011850(PQKB)11543512(MiAaPQ)EBC915721(OCoLC)966854585(MdBmJHUP)muse38269(Au-PeEL)EBL915721(CaPaEBR)ebr10563917(CaONFJC)MIL358750(EXLCZ)99255000000010178420110826d2012 ub 0engurcn|||||||||txtccrMoving color[electronic resource] early film, mass culture, modernism /Joshua YumibeNew Brunswick, N.J. Rutgers University Press20121 online resource (215 p.)Techniques of the moving imageDescription based upon print version of record.0-8135-5296-6 0-8135-5298-2 Includes bibliographical references and index.Foreword / by Paolo Cherchi Usai -- Introduction -- The colors of modernity -- Hand coloring and the intermediality of the cinema -- Transformation and uplift: stenciling, tinting, and toning -- Color cinema, from gentility to abstraction -- Conclusion.Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes-most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful.; Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe tracesTechniques of the moving image.Color cinematographyHistoryColorization of motion picturesHistorySilent filmsHistory and criticismColors in motion picturesElectronic books.Color cinematographyHistory.Colorization of motion picturesHistory.Silent filmsHistory and criticism.Colors in motion pictures.777Yumibe Joshua1974-961208MiAaPQMiAaPQMiAaPQBOOK9910451847603321Moving color2179135UNINA