04075oam 2200733I 450 991045174870332120200520144314.01-136-47556-70-203-13115-010.4324/9780203131152 (CKB)2550000000097872(EBL)957053(OCoLC)798532573(SSID)ssj0000678772(PQKBManifestationID)11457547(PQKBTitleCode)TC0000678772(PQKBWorkID)10728471(PQKB)11209936(MiAaPQ)EBC957053(Au-PeEL)EBL957053(CaPaEBR)ebr10545592(CaONFJC)MIL760942(OCoLC)785426626(EXLCZ)99255000000009787220180706d2012 uy 0engur|n|---|||||txtccrPostcommunist film-- Russia, Eastern Europe and world culture moving images of postcommunism /edited by Lars KristensenNew York, N.Y. :Routledge,2012.1 online resource (217 p.)Routledge contemporary Russia and Eastern Europe seriesDescription based upon print version of record.0-415-73131-3 0-415-67164-7 Includes bibliographical references and index.Front Cover; Postcommunist Film - Russia, Eastern Europe and World Culture; Copyright Page; Contents; Figures; Foreword; Acknowledgements; Notes on contributors; Introduction: Lars Kristensen; Part l: Cultural strategies, industry and reception; 1. National identity in post-9/11 transnational cinema: Jasmijn Van Gorp; 2. Baltic cinema: Zoe Aiano; 3. Belgrade as New York: Vlastimir Sudar; 4. 'Haven't you heard of internationalism?': Ros Gray; 5. The remains of socialist realism: Lars Kristensen; 6. Spotting the eagle on Anglophone turf: Bruce Williams; Part ll: People, place and nation7. Demolish, preserve or beautify: Ewa Mazierska8. Treading new paths: Sune Bechmann Pedersen; 9. The crime that changed Serbia: Nevena Daković; 10. Projected nation and projected self: Yun-Hua Chen; 11. Truancy, or thought from the provinces: Yün Peng; 12. Representations of former USSR and Eastern European identity in Turkish cinema: Serazer Pekerman; References; IndexA post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film.The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutioRoutledge contemporary Russia and Eastern Europe series.Motion picturesSocial aspectsRussia (Federation)Motion picturesPolitical aspectsRussia (Federation)Motion picturesSocial aspectsEurope, EasternMotion picturesPolitical aspectsEurope, EasternPost-communismSocial aspectsRussia (Federation)Post-communismSocial aspectsEurope, EasternElectronic books.Motion picturesSocial aspectsMotion picturesPolitical aspectsMotion picturesSocial aspectsMotion picturesPolitical aspectsPost-communismSocial aspectsPost-communismSocial aspects302.23/430947Kristensen Lars Lyngsgaard Fjord852108MiAaPQMiAaPQMiAaPQBOOK9910451748703321Postcommunist film-- Russia, Eastern Europe and world culture1902879UNINA