03210oam 2200853I 450 991045120670332120200520144314.00-203-68663-21-134-53911-81-280-07956-897866100795680-203-64706-810.4324/9780203647066 (CKB)1000000000252497(EBL)200037(OCoLC)57175565(SSID)ssj0000305608(PQKBManifestationID)11228715(PQKBTitleCode)TC0000305608(PQKBWorkID)10305661(PQKB)11103091(MiAaPQ)EBC200037(Au-PeEL)EBL200037(CaPaEBR)ebr10093558(CaONFJC)MIL7956(OCoLC)56545440(EXLCZ)99100000000025249720180331d2004 uy 0engur|n|---|||||txtccrPasts beyond memory evolution, museums, colonialism /Tony BennettLondon ;New York :Routledge,2004.1 online resource (250 p.)Museum meaningsDescription based upon print version of record.0-415-24746-2 0-415-24747-0 Includes bibliographical references (p. 206-225) and index.Book Cover; Title; Contents; List of figures; Acknowledgements; Introduction; Dead circuses: expertise, exhibition, government; The archaeological gaze of the historical sciences; Reassembling the museum; The connective tissue of civilisation; Selective memory: racial recall and civic renewal at the American Museum of Natural History; Evolutionary ground zero: colonialism and the fold of memory; Words, things and vision: evolution 'at a glance'; Postscript: slow modernity; Notes; References; Index; This important new work explores how evolutionary museums developed in the USA, UK, and Australia in the late 19th century.Museum meanings.MuseumsPhilosophyMuseumsHistoriographyMuseum techniquesHistoriographyMuseum exhibitsTechnological innovationsEvolutionHistory19th centuryEvolutionHistory20th centuryScienceHistory19th centuryScienceHistory20th centuryColoniesHistory19th centuryColoniesHistory20th centuryElectronic books.MuseumsPhilosophy.MuseumsHistoriography.Museum techniquesHistoriography.Museum exhibitsTechnological innovations.EvolutionHistoryEvolutionHistoryScienceHistoryScienceHistoryColoniesHistoryColoniesHistory069/.01Bennett Tony1947,904825MiAaPQMiAaPQMiAaPQBOOK9910451206703321Pasts beyond memory2023510UNINA01119nas 2200421-a 450 99619824000331620221206224309.01461-0949(OCoLC)70263534(CKB)111022849554064(CONSER)--2006263103(EXLCZ)9911102284955406420060707a19979999 s-- -engurun|||||||||txtrdacontentcrdamediacrrdacarrierWellcome newsLondon Wellcome TrustWELLCOME NEWS (LONDON)MedicinePeriodicalsResearchPeriodicalsResearch SupportMedicinefast(OCoLC)fst01014893Researchfast(OCoLC)fst01095153PeriodicalPeriodicals.fastPeriodicals.lcgftMedicineResearchResearch SupportMedicine.Research.JOURNAL996198240003316Wellcome news2104290UNISA06453nam 22008055 450 991057408690332120240307123235.09783030978846303097884210.1007/978-3-030-97884-6(MiAaPQ)EBC7007387(Au-PeEL)EBL7007387(CKB)23114198600041EBL7007387(AU-PeEL)EBL7007387(DE-He213)978-3-030-97884-6(EXLCZ)992311419860004120220531d2022 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierIndigenous African Popular Music, Volume 1 Prophets and Philosophers /edited by Abiodun Salawu, Israel A. Fadipe1st ed. 2022.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2022.1 online resource (409 pages)Pop Music, Culture and Identity,2634-6621Includes index.Print version: Salawu, Abiodun Indigenous African Popular Music, Volume 1 Cham : Springer International Publishing AG,c2022 9783030978839 Chapter 1: Introduction: Indigenous African Popular Music -- SECTION A: THE NATURE, PHILOSOPHIES AND GENRES OF INDIGENOUS AFRICAN POPULAR MUSIC -- Chapter 2: Indigenous and modern Zimbabwean music: Reflections from Thomas Mapfumo's Chimurenga music genre -- Chapter 3: Rhythmic signifying in popular Venda music -- Chapter 4: Baansi ni Yila: A critical history of the music industry in Northern Ghana -- Chapter 5: Indigenous and Indigenised Yoruba Popular Music -- Chapter 6: Social Cognition and Advertisement in Yusuf Olatunji's Music -- Chapter 7: Exploring the value systems embedded in indigenous Yorùbá music genres and Yorùbá nursery rhymes -- Chapter 8: Cultural Frames: Socio-Cultural Metaphors in Owerri-Igbo Bongo Music -- Chapter 9: Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization & Contradictions: Discourse Narrative -- Chapter 10: Dung Chollom and Berom Ethnic Popular Music -- SECTION B: INDIGENOUS AFRICAN POPULAR MUSIC ARTISTES AS PROPHETS AND PHILOSOPHERS -- Chapter 11: Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura's Music -- Chapter 12: Forewarned is forearmed: Exploring the apocalyptic voice of popular music in the post-colonial Zimbabwe -- Chapter 13: Reeling Nostalgia: 'Aremote' and the enduring Sakara music in Nigeria -- Chapter 14: Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour) -- Chapter 15: Yoruba Socio-Cultural Norms and Values in Selected Songs of Bukola Elemide (Asa) -- Chapter 16: Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation -- SECTION C: INDIGENOUS AFRICAN POPULAR MUSIC AND THE WORLD -- Chapter 17: Valodia: A Transatlantic Praise Song -- Chapter 18: The adaptation of Zimbabwean mbira dzavadzimu music, from traditional to modern popular band format; the case of Thomas Mapfumo -- Chapter 19: Macheso's Sungura and Socialidentity narratives in Postcolonial Zimbabwe -- Chapter 20: "One Beat, One Pound" - Kasumu Isola Sanni: The Sákárà Master Drummer -- Chapter 21: When Culture and Tradition Aren't Archaic: The Song Semantics of Zimbabwean Mbira's International Appeal.This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagatingthe communal views about African philosophies and the temporal and spiritual worlds in which they exist. Abiodun Salawu is Professor of Journalism, Communication and Media Studies, and Director of Indigenous Language Media in Africa, at the North-West University, South Africa. His major areas of research include indigenous language media, development communication, critical studies and new media. Israel A. Fadipe is postdoctoral fellow in Indigenous Language Media in Africa at the Faculty of Humanities, North-West University, South Africa. He specialises in communication, cultural and gender studies, and has published articles and chapters in both local and international journals.Pop Music, Culture and Identity,2634-6621Popular musicEthnologyAfricaCultureAfrican languagesIntercultural communicationEmigration and immigrationDigital mediaPopular MusicAfrican CultureAfrican LanguagesIntercultural CommunicationDiaspora StudiesDigital and New MediaPopular music.EthnologyCulture.African languages.Intercultural communication.Emigration and immigration.Digital media.Popular Music.African Culture.African Languages.Intercultural Communication.Diaspora Studies.Digital and New Media.781.63096781.629606Salawu AbiodunFadipe Israel A.MiAaPQMiAaPQMiAaPQBOOK9910574086903321Indigenous African Popular Music, Volume 14334057UNINA