02861nam 2200661 a 450 991045095070332120191030193359.01-317-12093-01-281-20852-397866112085230-7546-8720-1(CKB)1000000000410579(EBL)438913(OCoLC)648331738(SSID)ssj0000173408(PQKBManifestationID)11182313(PQKBTitleCode)TC0000173408(PQKBWorkID)10164667(PQKB)11611539(MiAaPQ)EBC438913(MiAaPQ)EBC5122038(Au-PeEL)EBL438913(CaPaEBR)ebr10209135(CaONFJC)MIL120852(Au-PeEL)EBL5122038(CaONFJC)MIL919230(OCoLC)1027133061(EXLCZ)99100000000041057920061226d2007 uy 0engurcn|||||||||txtccrHow Britain got the blues[electronic resource] the transmission and reception of American blues style in the United Kingdom /Roberta Freund SchwartzAldershot, England ;Burlington, VT Ashgatec20071 online resource (282 p.)Ashgate popular and folk music seriesDescription based upon print version of record.0-7546-5580-6 Includes bibliographical references (p. [247]-259) and index.Jazz reception in Britain : misunderstandings and recordings in exile -- The first time I met the blues : blues arrives in Britain -- 1953-1957 : the problem of the new -- 1957-1962 : the blues revival, part I -- London : the new Chicago! : the R&B boom of 1963-1965 -- Blues at the crossroads : the British blues revival part III, 1965-1970.This book explores how, and why, the blues became a central component of English popular music in the 1960's. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties.Ashgate popular and folk music series.Blues (Music)Great BritainHistory and criticismBlues (Music)InfluenceElectronic books.Blues (Music)History and criticism.Blues (Music)Influence.781.6430941/09046Schwartz Roberta Freund965233MiAaPQMiAaPQMiAaPQBOOK9910450950703321How Britain got the blues2189880UNINA