03708nam 22006972 450 991045064210332120151005020621.01-280-43647-60-511-17803-40-511-04261-20-511-14854-20-511-30538-90-511-48235-30-511-04583-2(CKB)1000000000006026(EBL)202183(OCoLC)559323857(SSID)ssj0000220494(PQKBManifestationID)11196548(PQKBTitleCode)TC0000220494(PQKBWorkID)10157485(PQKB)10742595(UkCbUP)CR9780511482359(MiAaPQ)EBC202183(Au-PeEL)EBL202183(CaPaEBR)ebr10030936(CaONFJC)MIL43647(EXLCZ)99100000000000602620090216d2002|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierPetronius and the anatomy of fiction /Victoria Rimell[electronic resource]Cambridge :Cambridge University Press,2002.1 online resource (x, 239 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-03701-8 0-521-81586-X Includes bibliographical references (p. 210-226) and indexes.Introduction: Corporealities --1.Rhetorical red herrings --2.Behind the scenes --3.The beast within --4.From the horse's mouth --5.Bella intestina --6.Regurgitating Polyphemus --7.Scars of knowledge --8.How to eat Virgil --9.Ghost stories --10.Decomposing rhythms --Conclusion: Licence and labyrinths --App. I.The use of fundere and cognates in the Satyricon --App. II.The occurrence of fortuna or Fortuna in the Satyricon --App. III.Aen. 4.39 at Sat. 112: nec venit in mentem, quorum consderis arvis?Petronius' Satyricon, long regarded as the first 'novel' of the Western tradition, has always sparked controversy. It has been puzzled over as a strikingly modernist riddle, elevated as a work of exemplary comic realism, condemned as obscene and repackaged as a morality tale. This reading of the surviving portions of the work shows how the Satyricon fuses the anarchic and the classic, the comic and the disturbing, and presents readers with a labyrinth of narratorial viewpoints. Dr Rimell argues that the surviving fragments are connected by an imagery of disintegration, focused on the pervasive Neronian metaphor of the literary text as a human or animal body. Throughout, she discusses the limits of dominant twentieth-century views of the Satyricon as bawdy pantomime, and challenges prevailing restrictions of Petronian corporeality to material or non-metaphorical realms. This 'novel' emerges as both very Roman and very satirical in its 'intestinal' view of reality.Petronius & the Anatomy of FictionSatire, LatinHistory and criticismNarration (Rhetoric)HistoryTo 1500FictionTechniqueRhetoric, AncientRomeIn literatureSatire, LatinHistory and criticism.Narration (Rhetoric)HistoryFictionTechnique.Rhetoric, Ancient.873/.01Rimell Victoria451750UkCbUPUkCbUPBOOK9910450642103321Petronius and the anatomy of fiction157392UNINA