01032nam2 2200277 i 450 SUN000497820140702124832.36688-14-04113-X20020805d1993 |0itac50 baitaIT|||| |||||ˆIl ‰rapporto di lavoro nel trasferimento dell'aziendaRoberto RomeiMilanoGiuffrè1993251 p.25 cm.001SUN00613482001 ˆIl ‰codice civile. Commentario210 MilanoGiuffrè.SUN0080011Art. 2112.MilanoSUNL000284346.450421Romei, Roberto1956- SUNV004489720485GiuffrèSUNV001757650ITSOL20181231RICASUN0004978UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS XV.D.12 2112 00 8332 20020805 Rapporto di lavoro nel trasferimento dell'azienda1400030UNICAMPANIA03590nam 22007092 450 991045052860332120151005020622.01-107-13108-11-280-41909-11-139-14731-50-511-17035-10-511-06372-50-511-05739-30-511-32394-80-511-48193-40-511-07218-X(CKB)1000000000018041(EBL)218159(OCoLC)57419435(SSID)ssj0000121982(PQKBManifestationID)11139990(PQKBTitleCode)TC0000121982(PQKBWorkID)10122685(PQKB)10869148(MiAaPQ)EBC218159(Au-PeEL)EBL218159(CaPaEBR)ebr10069921(CaONFJC)MIL41909(UkCbUP)CR9780511481932(EXLCZ)99100000000001804120090216d2002|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierChromatic transformations in nineteenth-century music /David Kopp[electronic resource]1st ed.Cambridge :Cambridge University Press,2002.1 online resource (xiii, 275 pages) digital, PDF file(s)Cambridge studies in music theory and analysis ;17Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-02849-3 0-521-80463-9 Includes bibliographical references (p. 264-269) and index.Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses.David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.Cambridge studies in music theory and analysis ;17.HarmonyChromaticism (Music)Music19th centuryHistory and criticismHarmony.Chromaticism (Music)MusicHistory and criticism.781.2/52Kopp David1021763UkCbUPUkCbUPBOOK9910450528603321Chromatic transformations in nineteenth-century music2425552UNINA