03357nam 2200625Ia 450 991045043860332120211117081650.01-280-45099-10-19-535743-41-60256-031-5(CKB)1000000000028762(EBL)1591191(OCoLC)908078653(SSID)ssj0000257528(PQKBManifestationID)11220005(PQKBTitleCode)TC0000257528(PQKBWorkID)10246674(PQKB)10690416(MiAaPQ)EBC1591191(MiAaPQ)EBC241316(Au-PeEL)EBL1591191(CaPaEBR)ebr10086896(CaONFJC)MIL45099(EXLCZ)99100000000002876219951212d1995 uy 0engur|n|---|||||txtccrText and act[electronic resource] essays on music and performance /Richard TaruskinNew York Oxford University Press19951 online resource (391 p.)Description based upon print version of record.0-19-509437-9 0-19-509458-1 Includes bibliographical references and index.Contents; Author's Note; INTRODUCTION; Last Thoughts First; IN THEORY; 1. On Letting the Music Speak for Itself; 2. The Limits of Authenticity: A Contribution; 3. Down with the Fence; 4. The Pastness of the Present and the Presence of the Past; 5. What-or Where-Is the Original?; 6. The Modern Sound of Early Music; 7. Tradition and Authority; IN PRACTICE; Beethoven; 8. The New Antiquity; 9. Resisting the Ninth; Mozart; 10. An Icon for Our Time; 11. A Mozart Wholly Ours; 12. Old (New) Instruments, New (Old) Tempos; Bach; 13. Backslide or Harbinger?; 14. Facing up, Finally, to Bach's Dark Vision15. The Crooked Straight and the Rough Places PlainAntiquarian Innocence; 16. Report from Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971; 17. The Price of Literacy, or, Why We Need Musicology; 18. High, Sweet, and Loud; 19. Text and Act; Full Circle; 20. Stravinsky Lite (Even ""The Rite""); Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; ZOver the last dozen years, the writings of Richard Taruskin have transformed the debate about ""early music"" and ""authenticity."" Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical vePerformance practice (Music)Style, MusicalElectronic books.Performance practice (Music)Style, Musical.781.4/3781.43Taruskin Richard607112MiAaPQMiAaPQMiAaPQBOOK9910450438603321Text and act1900228UNINA