02498nam 22006014a 450 991045030070332120200520144314.01-280-53215-70-19-534903-21-4237-2006-7(CKB)1000000000245577(EBL)439057(OCoLC)61329794(SSID)ssj0000152154(PQKBManifestationID)11910638(PQKBTitleCode)TC0000152154(PQKBWorkID)10339179(PQKB)10287718(MiAaPQ)EBC439057(Au-PeEL)EBL439057(CaPaEBR)ebr10103609(CaONFJC)MIL53215(EXLCZ)99100000000024557720031023d2004 uy 0engur|n|---|||||txtccrThe expert versus the object[electronic resource] judging fakes and false attributions in the visual arts /edited by Ronald D. Spencer ; [foreward by Eugene Victor Thaw]New York Oxford University Press20041 online resource (260 p.)Description based upon print version of record.0-19-514735-9 Includes bibliographical references and index.Contents; Foreword; Introduction; Part I: Authentication and Connoisseurship; Part II: Authentication and the Law; IndexThe authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it ""real"" or ""original"" is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked: How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. A connoisseur isArtForgeriesArtExpertisingLaw and artElectronic books.ArtForgeries.ArtExpertising.Law and art.702/.8/7Spencer Ronald D914693MiAaPQMiAaPQMiAaPQBOOK9910450300703321The expert versus the object2049948UNINA