02597oam 2200637I 450 991045009560332120200520144314.097866127779360-203-18217-01-282-77793-91-283-70818-31-134-89625-510.4324/9780203182178 (CKB)1000000000007185(EBL)166139(OCoLC)150645627(SSID)ssj0000284051(PQKBManifestationID)11233549(PQKBTitleCode)TC0000284051(PQKBWorkID)10250615(PQKB)11767964(MiAaPQ)EBC166139(Au-PeEL)EBL166139(CaPaEBR)ebr10017772(CaONFJC)MIL277793(EXLCZ)99100000000000718520180331d1992 uy 0engur|n|---|||||txtccrSelling the sixties the pirates and pop music radio /Robert ChapmanLondon ;New York :Routledge,1992.1 online resource (308 p.)Description based upon print version of record.0-415-07970-5 0-415-07817-2 Includes bibliographical references (p. 279-286) and index.Book Cover; Title; Copyright; ContentsWas it a non-stop psychedelic party or was there more to pirate radio in the sixties than hedonism and hip radicalism? From Kenny Everett's sacking to John Peel's legendary `Perfumed Garden' show, to the influence of the multi-national ad agencies, and the eventual assimilationof aspects of unofficial pop radio into Radio One, Selling the Sixties examines the boom of private broadcasting in Britain. Using two contrasting models of pop piracy, Radios Caroline and London, Robert Chapman sets pirate radio in its social and cultural context. In doing so he challenges the myths surrounPirate radio broadcastingGreat BritainHistoryPopular music1961-1970History and criticismElectronic books.Pirate radio broadcastingHistory.Popular musicHistory and criticism.384.54Chapman Robert1954,978621MiAaPQMiAaPQMiAaPQhttps://ebookcentral-proquest-com.salford.idm.oclc.org/lib/salford/detail.action?docID=166139BOOK9910450095603321Selling the sixties2230515UNINA