05839oam 2200649I 450 991045000590332120200520144314.01-134-68821-01-280-10474-00-203-28594-80-203-16946-810.4324/9780203169469 (CKB)1000000000005386(StDuBDS)AH3703397(SSID)ssj0000432114(PQKBManifestationID)11314499(PQKBTitleCode)TC0000432114(PQKBWorkID)10475705(PQKB)11248109(CaPaEBR)ebr10017443(MiAaPQ)EBC167591(Au-PeEL)EBL167591(CaPaEBR)ebr10062764(CaONFJC)MIL10474(OCoLC)259510636(OCoLC)52847659(EXLCZ)99100000000000538620180706d1999 uy 0engur|||||||||||txtccrMusic genres and corporate cultures /Keith NegusLondon ;New York :Routledge,1999.1 online resource (ix, 209p.) Bibliographic Level Mode of Issuance: Monograph0-415-17399-X 0-415-17400-7 Includes bibliographical references (p. 197-207) and index.1. Culture, industry, genre : conditions of musical creativity -- 2. Corporate strategy : applying order and enforcing accountability -- 3. Record company cultures and the jargon of corporate identity -- 4. The business of rap : between the street and the executive suite -- 5. The corporation, country culture and the communities of musical production -- 6. The Latin music industry, the production of salsa and the cultural matrix -- 7. Territorial marketing : international repertoire and world music -- 8. Walls and bridges : corporate strategy and creativity within and across genres.Tracing the relationship between economics and culture and corporations and their artists through case studies, this volume explores the way in which the music industry rewards certain sounds, and how this influences the musicians.Music Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; `entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians, and their audiences. He examines the tension between raps public image as the spontaneous `music of the streets' and the practicalities of the market, and asks why country labels and radio stations promote top-selling acts like Garth Brooks over hard-to-classify artists like Mary Chapin-Carpenter, and how the lack of soundscan systems in Puerto Rican record shops affects salsa music's position on the US Billboard chart. Drawing on over seventy interviews with music industry personnel in Britain and the United States, Music Genres and Corporate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business styles while stressing that music production takes within a broader culture, not totally within the control of large corporations. Music Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; `entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians, and their audiences. He examines the tension between raps public image as the spontaneous `music of the streets' and the practicalities of the market, and asks why country labels and radio stations promote top-selling acts like Garth Brooks over hard-to-classify artists like Mary Chapin-Carpenter, and how the lack of soundscan systems in Puerto Rican record shops affects salsa music's position on the US Billboard chart. Drawing on over seventy interviews with music industry personnel in Britain and the United States, Music Genres and Corporate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business styles while stressing that music production takes within a broader culture, not totally within the control of large corporations.Sound recording industryPopular musicHistory and criticismElectronic books.Sound recording industry.Popular musicHistory and criticism.781.64Negus Keith.934945MiAaPQMiAaPQMiAaPQBOOK9910450005903321Music genres and corporate cultures2105456UNINA05432nam 22007815 450 99646562690331620200630194305.03-662-53644-710.1007/978-3-662-53644-5(CKB)3710000000926192(DE-He213)978-3-662-53644-5(MiAaPQ)EBC6301841(MiAaPQ)EBC5590598(Au-PeEL)EBL5590598(OCoLC)962017973(PPN)19632338X(EXLCZ)99371000000092619220161024d2016 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierTheory of Cryptography[electronic resource] 14th International Conference, TCC 2016-B, Beijing, China, October 31-November 3, 2016, Proceedings, Part II /edited by Martin Hirt, Adam Smith1st ed. 2016.Berlin, Heidelberg :Springer Berlin Heidelberg :Imprint: Springer,2016.1 online resource (XV, 578 p. 32 illus.) Security and Cryptology ;99863-662-53643-9 Delegation and IP -- Delegating RAM Computations with Adaptive Soundness and Privacy -- Interactive Oracle Proofs -- Adaptive Succinct Garbled RAM, or How To Delegate Your Database.-Delegating RAM Computations -- Public-Key Encryption -- Standard Security Does Not Imply Indistinguishability Under Selective Opening -- Public-Key Encryption with Simulation-Based Selective-Opening Security and Compact Ciphertexts -- Towards Non-Black-Box Separations of Public Key Encryption and One Way Function -- Post-Quantum Security of the Fujisaki-Okamoto and OAEP Transforms -- Multi-Key FHE from LWE, Revisited -- Obfuscation and Multilinear Maps -- Secure Obfuscation in a Weak Multilinear Map Model -- Virtual Grey-Boxes Beyond Obfuscation: A Statistical Security Notion for Cryptographic Agents -- Attribute-Based Encryption -- Deniable Attribute Based Encryption for Branching Programs from LWE -- Targeted Homomorphic Attribute-Based Encryption -- Semi-Adaptive Security and Bundling Functionalities Made Generic and Easy -- Functional Encryption -- From Cryptomania to Obfustopia through Secret-Key Functional Encryption -- Single-Key to Multi-Key Functional Encryption with Polynomial Loss -- Compactness vs Collusion Resistance in Functional Encryption -- Secret Sharing -- Threshold Secret Sharing Requires a Linear Size Alphabet -- How to Share a Secret, Infinitely -- New Models -- Designing Proof of Human-work Puzzles for Cryptocurrency and Beyond -- Access Control Encryption: Enforcing Information Flow with Cryptography.The two-volume set LNCS 9985 and LNCS 9986 constitutes the refereed proceedings of the 14th International Conference on Theory of Cryptography, TCC 2016-B, held in Beijing, China, in November 2016. The total of 45 revised full papers presented in the proceedings were carefully reviewed and selected from 113 submissions. The papers were organized in topical sections named: TCC test-of-time award; foundations; unconditional security; foundations of multi-party protocols; round complexity and efficiency of multi-party computation; differential privacy; delegation and IP; public-key encryption; obfuscation and multilinear maps; attribute-based encryption; functional encryption; secret sharing; new models.Security and Cryptology ;9986Data encryption (Computer science)Computer securityAlgorithmsComputer science—MathematicsManagement information systemsComputer scienceComputer communication systemsCryptologyhttps://scigraph.springernature.com/ontologies/product-market-codes/I28020Systems and Data Securityhttps://scigraph.springernature.com/ontologies/product-market-codes/I28060Algorithm Analysis and Problem Complexityhttps://scigraph.springernature.com/ontologies/product-market-codes/I16021Discrete Mathematics in Computer Sciencehttps://scigraph.springernature.com/ontologies/product-market-codes/I17028Management of Computing and Information Systemshttps://scigraph.springernature.com/ontologies/product-market-codes/I24067Computer Communication Networkshttps://scigraph.springernature.com/ontologies/product-market-codes/I13022Data encryption (Computer science).Computer security.Algorithms.Computer science—Mathematics.Management information systems.Computer science.Computer communication systems.Cryptology.Systems and Data Security.Algorithm Analysis and Problem Complexity.Discrete Mathematics in Computer Science.Management of Computing and Information Systems.Computer Communication Networks.004Hirt Martinedthttp://id.loc.gov/vocabulary/relators/edtSmith Adamedthttp://id.loc.gov/vocabulary/relators/edtMiAaPQMiAaPQMiAaPQBOOK996465626903316Theory of Cryptography772206UNISA