02684nam 22006374a 450 991044993590332120200520144314.01-84964-077-7(CKB)1000000000001864(StDuBDS)AH22933381(SSID)ssj0000517732(PQKBManifestationID)12194971(PQKBTitleCode)TC0000517732(PQKBWorkID)10487413(PQKB)10127787(SSID)ssj0000278361(PQKBManifestationID)11209235(PQKBTitleCode)TC0000278361(PQKBWorkID)10246293(PQKB)11111932(MiAaPQ)EBC3386068(Au-PeEL)EBL3386068(CaPaEBR)ebr2001149(CaONFJC)MIL987803(OCoLC)70769154(EXLCZ)99100000000000186420000530d2000 uy 0engur|||||||||||txtccrCritique of exotica[electronic resource] music, politics, and the culture industry /John HutnykLondon ;Sterling, Va. Pluto Press20001 online resource (256 p.)Bibliographic Level Mode of Issuance: Monograph0-7453-1549-6 0-7453-1554-2 Includes bibliographical references (p. 239-250) and index.In this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses 'world' music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress.Popular musicSocial aspectsPopular musicPolitical aspectsPopular cultureHistory20th centuryElectronic books.Popular musicSocial aspects.Popular musicPolitical aspects.Popular cultureHistory306.4/84Hutnyk John1961-913433MiAaPQMiAaPQMiAaPQBOOK9910449935903321Critique of exotica2225865UNINA