02826nam 22007094a 450 991043325870332120250423163500.097866130367599781283036757128303675497808223927670822392763https://doi.org/10.1215/9780822392767(CKB)2560000000056392(EBL)1171722(SSID)ssj0000392840(PQKBManifestationID)11321936(PQKBTitleCode)TC0000392840(PQKBWorkID)10363254(PQKB)10367468662619803(MiAaPQ)EBC1171722(OCoLC)1143350843(MdBmJHUP)muse79822(ScCtBLL)14bd55eb-899f-4205-b3a7-8e0d0c0ecf48(oapen)https://directory.doabooks.org/handle/20.500.12854/37758(ODN)ODN0010711170(Perlego)1466297(oapen)doab37758(EXLCZ)99256000000005639220100908d2010 uy 0engur|n|---|||||txtccrCrash cinema and the politics of speed and stasis /Karen BeckmanDurham, NC Duke University Press20101 online resource (320 p.)Description based on print version record0-8223-4708-3 0-8223-4726-1 Includes bibliographical references and index."Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap.Argues that representations of the car crash in film genres from slapstick comedies to industrial-safety movies parallels the collision of film and other media.e-Duke books scholarly collection.Car-chase filmsHistory and criticismMotion picturesPlots, themes, etcMotion picturesHistoryCar-chase filmsHistory and criticism.Motion picturesPlots, themes, etc.Motion picturesHistory.791.43/6791.436Beckman Karen Redrobe1971-925164MiAaPQMiAaPQMiAaPQBOOK9910433258703321Crash2076595UNINA