02083nam 22004813 450 991042458260332120241230084506.0(CKB)5310000000010120(oapen)https://directory.doabooks.org/handle/20.500.12854/45420(NjHacI)995310000000010120(MiAaPQ)EBC31861075(Au-PeEL)EBL31861075(EXLCZ)99531000000001012020241230d2018 uy 0freurmn|---annantxtrdacontentcrdamediacrrdacarrierLa Double Séance La Musique Sur la Scène théâtrale et Littéraire / la Musica Sulla Scena Teatrale e Letteraria1st ed.Florence :Firenze University Press,2018.©2017.1 electronic resource (374 p.)Biblioteca di Studi di Filologia Moderna9788864536651 8864536655 If the play, our device, had no other function than to project, "at some elevation", certain lacks of which we would hardly be aware, there can only be in the Letters, according to Mallarmé, a single essential act: to question the relationships that this device maintains with some internal state of ourselves. We believe, with the author of La Musique et les Lettres, that it is through the play of their often rival relationships that the arts can be understood and make us understand. This game, which never stops urging us, constantly asks us for new instruments for its implementation - or its staging.Biblioteca di Studi di Filologia Moderna.Double séance La double séance MusicHistory and criticismMusicHistory and criticism.780Landi Michela444620Landi MichelaMiAaPQMiAaPQMiAaPQBOOK9910424582603321La double séance3362601UNINA