05988nam 22007455 450 991042045820332120240402205733.010.1515/9789048551941(CKB)5310000000017027(DE-B1597)571774(DE-B1597)9789048551941(OCoLC)1224278790(MiAaPQ)EBC30406563(Au-PeEL)EBL30406563(PPN)250733900(EXLCZ)99531000000001702720201125h20202020 fg engur||#||||||||txtrdacontentcrdamediacrrdacarrierPost-cinema Cinema in the Post-art Era /Dominique Chateau, José Moure1st ed.Amsterdam :Amsterdam University Press,[2020]©20201 online resource (376 p.)The Key Debates: Mutations and Appropriations in European Film Studies90-485-5194-3 Frontmatter --Table of Contents --Editorial --Acknowledgments --1. Introduction --PART I A Tribute to Agnès Varda --2. The Incipit of Beaches of Agnès (Les plages d’Agnès) An Installation in the Form of a Self-portrait --PART II The End of Cinema? --3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 --4. Cinema Hangs Tough --5. Jean-Luc Godard’s Histoire(s) du cinéma or Cinema Surpasses Itself --PART III Technological Transformations --6. Mutation, Appropriation and Style --7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition – A Dialogue --8. In-Flight Entertainment or the Emptying Process of Art in the Air --PART IV New Dispositif, New Conditions --9. What Kind of Art Is the Cinema of Interactions? --10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix’s Algorithmic Operations --11. Post-cinema Ecology --PART V Transformations in Film Form --12. Dwelling with Moving Images --13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film --14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge --15. The Zidane Film --PART VI Post-cinema, an Artists’ Affair --16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 --17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky’s DAU --18. Cinématon: The Shortest Films for the Longest Film – A Dialogue --19. Documentary as Contemporary Art – A DialoguePost-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films ; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater ; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.The Key Debates: Mutations and Appropriations in European Film StudiesPERFORMING ARTS / Film & Video / Direction & Productionbisacshfilm, contemporary art, media, aesthetics, dispositif.PERFORMING ARTS / Film & Video / Direction & Production.791.4301Andrea Pinottictbhttps://id.loc.gov/vocabulary/relators/ctbAndré Gaudreaultctbhttps://id.loc.gov/vocabulary/relators/ctbOever Annie van den1957-ctbhttps://id.loc.gov/vocabulary/relators/ctbChateau Dominiqueedthttp://id.loc.gov/vocabulary/relators/edtChristophe Géninctbhttps://id.loc.gov/vocabulary/relators/ctbChristophe Viartctbhttps://id.loc.gov/vocabulary/relators/ctbCéline Scemamactbhttps://id.loc.gov/vocabulary/relators/ctbDominique Chateauctbhttps://id.loc.gov/vocabulary/relators/ctbDudley Andrewctbhttps://id.loc.gov/vocabulary/relators/ctbEugénie Zvonkinectbhttps://id.loc.gov/vocabulary/relators/ctbFrancesco Casettictbhttps://id.loc.gov/vocabulary/relators/ctbJost François1949-,ctbhttps://id.loc.gov/vocabulary/relators/ctbGabriela Rivadeneira Crespoctbhttps://id.loc.gov/vocabulary/relators/ctbGiovanna Fossatictbhttps://id.loc.gov/vocabulary/relators/ctbGérard Courantctbhttps://id.loc.gov/vocabulary/relators/ctbJosé Mourectbhttps://id.loc.gov/vocabulary/relators/ctbMalte Hagenerctbhttps://id.loc.gov/vocabulary/relators/ctbMiriam De Rosactbhttps://id.loc.gov/vocabulary/relators/ctbMoure Joséedthttp://id.loc.gov/vocabulary/relators/edtPhilippe Marionctbhttps://id.loc.gov/vocabulary/relators/ctbRichard Contectbhttps://id.loc.gov/vocabulary/relators/ctbVictor Burginctbhttps://id.loc.gov/vocabulary/relators/ctbWang Bingctbhttps://id.loc.gov/vocabulary/relators/ctbDE-B1597DE-B1597BOOK9910420458203321Post-cinema1983407UNINA