04629oam 2200673 c 450 991041834390332120230621135927.03-8394-5243-010.14361/9783839452431(CKB)4100000011249183(DE-B1597)546277(DE-B1597)9783839452431(OCoLC)1198930963(MiAaPQ)EBC6751046(Au-PeEL)EBL6751046(transcript Verlag)9783839452431(MiAaPQ)EBC6956187(Au-PeEL)EBL6956187(oapen)https://directory.doabooks.org/handle/20.500.12854/28903(MiAaPQ)EBC30494899(Au-PeEL)EBL30494899(EXLCZ)99410000001124918320220221d2020 uy 0engurm|#||||||||txtrdacontentcrdamediacrrdacarrierCurating Contemporary Music FestivalsA New Perspective on Music's MediationBrandon Farnsworth1st ed.Bielefeldtranscript Verlag20201 online resource (326 pages) illustrations; digital file(s)Musik und Klangkultur47Print version: 9783837652437 Includes bibliographical references.Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.Musik und Klangkultur ;47.Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology;Berliner Festspiele.Cultural Management.Munich Biennale For New Music Theatre.Music Management.Music.Musicology.Münchner Biennale Für Neues Musiktheater.Neue Musik.New Music.Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology;780.794Farnsworth BrandonZüricher Hochschule der Künste, Switzerlandaut1204636Zürcher Hochschule der Künstefndhttp://id.loc.gov/vocabulary/relators/fndDE-B1597DE-B1597UkMaJRUBOOK9910418343903321Curating Contemporary Music Festivals2780208UNINA