02713oam 22006254a 450 991040406540332120230714203544.094-6166-318-8(CKB)4100000011271591(OCoLC)1175941252(MdBmJHUP)muse86659(oapen)https://directory.doabooks.org/handle/20.500.12854/34941(PPN)268263779(EXLCZ)99410000001127159120200707d2020 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierAcross AnthropologyTroubling Colonial Legacies, Museums, and the Curatorial /edited by Margareta von Oswald and Jonas TiniusLeuven University Press2020Baltimore, Maryland :Project Muse,2020©20201 online resource (1 EPUB unpaged) illustrations94-6166-317-X 94-6270-218-7 Includes bibliographical references.Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit's ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.PostcolonialismAnthropological museums and collectionsAnthropological ethicsanthropologyethnographymuseumscollectionsdifficult heritagecolonialismpostcolonial theorycuratorial practicescontemporary artEuropePostcolonialism.Anthropological museums and collections.Anthropological ethics.174.9309von Oswald Margaretaedt1356362Tinius JonasOswald Margareta vonMdBmJHUPMdBmJHUPBOOK9910404065403321Across Anthropology3360789UNINA