03512nam 22006735 450 991039274950332120250609110103.09783030423711303042371910.1007/978-3-030-42371-1(CKB)4100000011040243(MiAaPQ)EBC6177170(DE-He213)978-3-030-42371-1(PPN)259467030(Perlego)3481175(MiAaPQ)EBC6177243(EXLCZ)99410000001104024320200415d2020 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierEngels before Marx /by Terrell Carver1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (xiii, 111 pages)Marx, Engels, and Marxisms,2524-71319783030423704 3030423700 1. Introduction -- 2. Imagination -- 3. Observation -- 4. Vocation -- 5. Reflections: In my end is my beginning.This book examines the life and works of Friedrich Engels during the decade before he entered a political partnership with Karl Marx. It takes a thematic approach in three substantial chapters: Imagination, Observation, and Vocation. Throughout, the reader sees the world from Engels's perspective, not knowing how his story will turn out. This approach reveals the multifaceted and ambitious character of young Friedrich's achievements from age sixteen till just turning twenty-five. At the time that he accepted Marx's invitation to co-author a short political satire, Engels was far better known and much more accomplished. He had published many more articles on far more subjects, in both German and English, than Marx had managed. Moreover, he had written a critique of political economy from a perspective unique in the German context, and published his own pioneering and substantial study of working class conditions in an industrializing economy. Offering an innovative approach to a largely neglected period of Engels's life before meeting Marx, Carver upends standard narratives in existing biographical studies of Engels to reveal him as an important figure not just in relation to his more famous collaborator, but a key voice in the liberal-democratic, constitutional and nation-building revolutionism of the 1830s and 1840s. Terrell Carver is a Professor of Political Theory at the University of Bristol, UK. .Marx, Engels, and Marxisms,2524-7131World politicsPolitical sciencePhilosophyPolitical sociologyPolitical sciencePolitical HistoryPolitical PhilosophyPolitical SociologyPolitical TheoryWorld politics.Political sciencePhilosophy.Political sociology.Political science.Political History.Political Philosophy.Political Sociology.Political Theory.306.2335.4092Carver Terrellauthttp://id.loc.gov/vocabulary/relators/aut254525MiAaPQMiAaPQMiAaPQBOOK9910392749503321Engels before Marx2499666UNINA03799nam 2200445z- 450 991022004880332120210211(CKB)3800000000216289(oapen)https://directory.doabooks.org/handle/20.500.12854/45035(oapen)doab45035(EXLCZ)99380000000021628920202102d2017 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierDialogues in Music Therapy and Music Neuroscience: Collaborative Understanding Driving Clinical AdvancesFrontiers Media SA20171 online resource (179 p.)Frontiers Research Topics2-88945-137-2 Music is a complex, dynamic stimulus with an un-paralleled ability to stimulate a global network of neural activity involved in attention, emotion, memory, communication, motor co-ordination and cognition. As such, it provides neuroscience with a highly effective tool to develop our understanding of brain function, connectivity and plasticity. Increasingly sophisticated neuroimaging technologies have enabled the expanding field of music neuroscience to reveal how musical experience, perception and cognition may support neuroplasticity, with important implications for the rehabilitation and assessment of those with acquired brain injuries and neurodegenerative conditions. Other studies have indicated the potential for music to support arousal, attention and emotional regulation, suggesting therapeutic applications for conditions including ADHD, PTSD, autism, learning disorders and mood disorders. In common with neuroscience, the music therapy profession has advanced significantly in the past 20 years. Various interventions designed to address functional deficits and health care needs have been developed, alongside standardised behavioural assessments. Historically, music therapy has drawn its evidence base from a number of contrasting theoretical frameworks. Clinicians are now turning to neuroscience, which offers a unifying knowledge base and frame of reference to understand and measure therapeutic interventions from a biomedical perspective. Conversely, neuroscience is becoming more enriched by learning about the neural effects of 'real world' clinical applications in music therapy. While neuroscientific imaging methods may provide biomarking evidence for the efficacy of music therapy interventions it also offers important tools to describe time-locked interactive therapy processes and feeds into the emerging field of social neuroscience. Music therapy is bound to the process of creating and experiencing music together in improvisation, listening and reflection. Thus the situated cognition and experience of music developing over time and in differing contexts is of interest in time series data. We encouraged researchers to submit papers illustrating the mutual benefits of dialogue between music therapy and other disciplines important to this field, particularly neuroscience, neurophysiology, and neuropsychology. The current eBook consists of the peer reviewed responses to our call for papers.Dialogues in Music Therapy and Music NeuroscienceNeurosciencesbicsscBrainMusicMusic Therapyneurological rehabilitationNeurophysiologyNeurosciencePsychiatric RehabilitationNeurosciencesFachner Jörg C.O'Kelly JulianTervaniemi MariBOOK9910220048803321Dialogues in music therapy and music neuroscience3402162UNINA