03526nam 22006135 450 991038385950332120190708092533.00-691-09137-41-4008-6667-710.1515/9781400866670(CKB)2670000000590891(EBL)1843640(SSID)ssj0001402769(PQKBManifestationID)12594507(PQKBTitleCode)TC0001402769(PQKBWorkID)11361539(PQKB)11401437(OCoLC)899211615(MdBmJHUP)muse42840(MiAaPQ)EBC1843640(DE-B1597)459749(OCoLC)979630237(DE-B1597)9781400866670(PPN)25990029X(EXLCZ)99267000000059089120190708d2014 fg engur|n|---|||||txtccrPuccini's Turandot The End of the Great Tradition /William Ashbrook, Harold PowersPrinceton, NJ : Princeton University Press, [2014]©19911 online resource (204 p.)Princeton Studies in Opera ;30Description based upon print version of record.0-691-02712-9 1-322-56986-X Includes bibliographical references (p. 185-188) and index.Frontmatter -- Contents -- Preface -- INTRODUCTION. The Contexts -- CHAPTER 1. The Opera -- CHAPTER 2. The Sources -- CHAPTER 3. The Genesis -- CHAPTER 4. The Four Colors -- CHAPTER 5. The Two Duets -- CHAPTER 6. Turandot Staged -- Appendix -- Notes -- References -- IndexUnfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, Bellini, Donizetti, and Verdi. In a summary of the sounds, sights, and symbolism of Turandot, the authors touch on earlier treatments of the subject, outline the conception, birth, and reception of the work, and analyze its coordinated dramatic and musical design. Showing how the evolution of the libretto documents Puccini's reversion to large musical forms typical of the Great Tradition in the late nineteenth century, they give particular attention to his use of contrasting Romantic, modernist, and two kinds of orientalist coloration in the general musical structure. They suggest that Puccini's inability to complete the opera resulted mainly from inadequate dramatic buildup for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character.Princeton studies in opera.MUSIC / Genres & Styles / OperabisacshMUSIC / Genres & Styles / Opera.782.1Ashbrook William, 556754Powers Harold, DE-B1597DE-B1597BOOK9910383859503321Puccini's Turandot2088687UNINA