02300 am 2200469 n 450 9910495978603321201604202-271-09117-910.4000/books.editionscnrs.9028(CKB)4340000000012976(FrMaCLE)OB-editionscnrs-9028(oapen)https://directory.doabooks.org/handle/20.500.12854/84944(PPN)267943237(EXLCZ)99434000000001297620160616j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierL’exil russe La fabrique du réfugié apatride (1920-1939) /Catherine GousseffParis CNRS Éditions20161 online resource (335 p.) Hors collection2-271-06621-2 France terre d’asile ? Dans les années 1920, la France accueille près de 80 000 Russes ayant quitté leur pays à la suite de la révolution, plus que la plupart des pays européens. Comment répondre à cet afflux de population ? Comment les accueillir, où les installer ? Quel statut leur accorder ? Ces questions ne relèvent pas de la seule politique intérieure française : elles acquièrent avec la création du Haut Commissariat aux Réfugiés une dimension internationale. Au croisement du droit, de la diplomatie et de la sociologie, Catherine Gousseff nous relate l’élaboration du statut de réfugié. Elle met particulièrement en avant l’assistance des associations caritatives et le rôle politique des élites russes auprès de la Société des nations. Une question politique et humaine qui est encore la nôtre.RussiansFranceHistory20th centuryPolitical refugeesFranceHistory20th centurySoviet UnionHistoryRevolution, 1917-1921Refugeesréfugiés russesréfugiés politiquesRussesimmigrationémigrationRussiansHistoryPolitical refugeesHistoryGousseff Catherine512905FR-FrMaCLEBOOK9910495978603321L'exil russe2873007UNINA04100nam 2200745 450 991082172460332120231206202637.01-4426-9233-21-4426-8774-610.3138/9781442687745(CKB)2550000000019228(OCoLC)647921038(CaPaEBR)ebrary10381944(SSID)ssj0000478161(PQKBManifestationID)11325338(PQKBTitleCode)TC0000478161(PQKBWorkID)10419758(PQKB)10350305(CaPaEBR)430750(CaBNvSL)slc00224368(DE-B1597)465280(OCoLC)1013945464(OCoLC)944176929(DE-B1597)9781442687745(Au-PeEL)EBL4672565(CaPaEBR)ebr11258230(OCoLC)958562795(VaAlCD)20.500.12592/pcx320(MiAaPQ)EBC4672565(MdBmJHUP)musev2_106025(MiAaPQ)EBC3268161(EXLCZ)99255000000001922820160923h20082008 uy 0engurcn|||||||||txtccrContextual subjects family, state and relational theory /Robert LeckeyToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2008.©20081 online resource (366 p.) 0-8020-9749-9 Includes bibliographical references and index.1. Introduction -- pt. 1. Family law -- 2. Thick subjects in the past -- 3. Contextual subjects in the present -- 4. Contracting and disputes within relational theory -- pt. 2. Administrative law -- 5. Thin subjects in the past -- 6. Contextualism emerges -- 7. Administration and relational norms -- 8. Conclusion.Law and legal discourse both presuppose and produce legal subjects. Views on the nature of the legal subject will constantly shift, therefore, with changes in the law. Contextual Subjects argues that a new view of the legal subject has indeed emerged and that it is now embedded in the social context and relationships. This claim is developed through a contrast of Canadian family law and administrative law as it was in the mid-twentieth century and as it is today.Robert Leckey argues that it is not only the subject that is contextual. Legal discourse and adjudication have also become more contextual, making family law and administrative law themselves contextual subjects. Leckey bolsters this argument through the use of relational theory, a rich strand of feminist political theory that advocates a contextual method and seeks to promote constructive relationships that enable relational autonomy. Developments in family law and administrative law, therefore, exemplify the contextualism called for by relational theorists. Leckey points to the importance of contextualization, but he is not uncritical of relational theory, insisting that it should articulate more forcefully its normative vision of good relationships and offer clear recommendations in contested areas.Contextual Subjects is the most thorough and sustained application of relational theory to legal examples to appear to date. It is unique in Canadian legal scholarship for the way it pairs family law and administrative law, and within legal scholarship in English for its integration of common law and civil law.LawCanadaPhilosophyDomestic relationsCanadaAdministrative lawCanadaContextualism (Philosophy)CanadafastElectronic books. LawPhilosophy.Domestic relationsAdministrative lawContextualism (Philosophy)340.1Leckey Robert1651842MiAaPQMiAaPQMiAaPQBOOK9910821724603321Contextual subjects4075996UNINA03390oam 2200661 c 450 991037280450332120230921171708.03-8394-0459-210.14361/9783839404591(CKB)3710000000482659(OAPEN)1007650(DE-B1597)461202(OCoLC)1013948744(OCoLC)958035057(DE-B1597)9783839404591(MiAaPQ)EBC5494194(Au-PeEL)EBL5494194(OCoLC)1049912438(transcript Verlag)9783839404591(MiAaPQ)EBC6955678(Au-PeEL)EBL6955678(oapen)https://directory.doabooks.org/handle/20.500.12854/36502(EXLCZ)99371000000048265920220221d2015 uy 0geruuuuu---auuuutxtrdacontentcrdamediacrrdacarrierAffekteAnalysen ästhetisch-medialer Prozesse /Antje Krause-Wahl, Heike Oehlschlägel, Serjoscha Wiemer, Mieke BalFirst edition.Bielefeld :transcript Verlag,20151 online resource (196 pages)Kultur- und Medientheorie.3-89942-459-X Frontmatter 1 Inhalt 3 Abkürzungen 4 I. Einführung 5 II. Theorien globaler Steuerung 8 III. Modelle der Systemsteuerung 42 IV. Die Wissensdimension globaler Governanz 74 V. Instrumente wissensbasierter politischer Steuerung 100 VI. Ausblick: Steuerung in der globalen Wissensgesellschaft 130 Literatur 139 Backmatter 151Der Band versteht Kunst als Ort der Evokation und Transformation von Affekten. Der Affekt ist das, was mich (be)trifft. Wie gelingt es der Kunst, Gefühle hervorzurufen? Worin unterscheiden sich Emotionen und Affekte? Mit welchen Strategien führen uns Kunstwerke in das Spiel um Ergriffenheit und Distanz, um Anziehung und Abstoßung? Die hier versammelten »Affektanalysen« behandeln künstlerische Produktionsprozesse, materielle und temporale Vorgänge medialer (Re)Präsentation sowie affektive Wirkungen auf Rezipienten. Im Fokus stehen Werke u.a. von Einar Schleef, Auguste Rodin, William Henry Fox Talbot, Charles Chaplin, Alfred Hitchcock, Emir Kusturica, Tsai Ming-Liang, Bruce Naumann und Eija-Liisa Ahtila. Mit einer Einleitung von Mieke Bal.Kultur- und Medientheorie.Affekte; Kunst; Theater; Film; Video; Ästhetik; Medien; Kunsttheorie; Medienästhetik; Kunstwissenschaft; Arts; Theatre; Aesthetics; Media; Theory of Art; Media Aesthetics; Fine Arts;Aesthetics.Film.Fine Arts.Media Aesthetics.Media.Theatre.Theory of Art.Video.Affekte; Kunst; Theater; Film; Video; Ästhetik; Medien; Kunsttheorie; Medienästhetik; Kunstwissenschaft; Arts; Theatre; Aesthetics; Media; Theory of Art; Media Aesthetics; Fine Arts;Krause-Wahl AntjeedtOehlschlägel HeikeedtWiemer SerjoschaedtBal Mieke1946-auiDE-B1597DE-B1597BOOK9910372804503321Affekte3558694UNINA