03212nam 2201033z- 450 991036756730332120231214133514.03-03921-422-5(CKB)4100000010106073(oapen)https://directory.doabooks.org/handle/20.500.12854/44475(EXLCZ)99410000001010607320202102d2019 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierCyberpunk in a Transnational ContextMDPI - Multidisciplinary Digital Publishing Institute20191 electronic resource (122 p.)3-03921-421-7 Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir filmvirtual realityTobi Hirotakacollagecyberpunkco-productionsvirtual worldsEuropean cinemareception historyMetropiatransnational cinemalayersmangacinematismLo Tekaudience2000stechno-Orientalismoutlaw technologistYLEM artists using science and technologyanimationMasaki Gor?"rich sight"Germanyextraterritorialproscenium viewscareJapanese science fictionUnited Statespost-utopiacomicsflattened screensWilliam Gibsonscience fictionanimatismpost-apocalyptic narrativegenreSCANHyperCardbOING bOINGnostalgiaglobal capitalismvirtual idolMONDO 2000Timothy LearyWalter Benjaminvisualityfractal spaceMarshall McLuhanRenaissanceHyperart ThomassonPattern RecognitiondystopiaKowloon Walled Cityparticipatory aestheticsGuerrilla Gamestranslationintertextualitynuclear politicsend of historyHorizon: Zero DawndetritusBlade RunnerTatsumi Takayukiauth1326365BOOK9910367567303321Cyberpunk in a Transnational Context3037382UNINA