04346nam 2200685 450 991045613880332120200520144314.00-262-29397-81-4294-5537-31-282-09680-X97866120968080-262-25707-6(CKB)2420000000001205(SSID)ssj0000207040(PQKBManifestationID)11166718(PQKBTitleCode)TC0000207040(PQKBWorkID)10235542(PQKB)10189405(MiAaPQ)EBC3338579(CaBNVSL)mat06267345(IDAMS)0b000064818b4333(IEEE)6267345(OCoLC)82471528(OCoLC)290542074(OCoLC)475435868(OCoLC)614488344(OCoLC)648225233(OCoLC)815776336(OCoLC)961522784(OCoLC)962588440(OCoLC)988501438(OCoLC)990529579(OCoLC)992037302(OCoLC)992093295(OCoLC)1037933736(OCoLC)1038547450(OCoLC)1055339202(OCoLC-P)82471528(MaCbMITP)4807(Au-PeEL)EBL3338579(CaPaEBR)ebr10173637(CaONFJC)MIL209680(OCoLC)82471528(EXLCZ)99242000000000120520151223d2010 uy engurcn|||||||||txtccrMusic and probability /David TemperleyCambridge, Massachusetts :MIT Press,c2007.[Piscataqay, New Jersey] :IEEE Xplore,[2010]xi, 244 p. ill., musicBibliographic Level Mode of Issuance: Monograph0-262-51519-9 0-262-20166-6 Includes bibliographical references (p. [225]-235) and indexes.Probabilistic foundations and background -- Melody I : the rhythm model -- Melody II : the pitch model -- Melody III : expectation and error detection -- A polyphonic key-finding model -- Applications of the polyphonic key-finding model -- Bayesian models of other aspects of music -- Style and composition -- Communicative pressure.In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles.Music and Probability--the first full-length book to explore the application of probabilistic techniques to musical issues--includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and "grammaticality," and lead to interesting and novel predictions about compositional practice and differences between musical styles.Musical perceptionMathematical modelsMusic and probabilityElectronic books.Musical perceptionMathematical models.Music and probability.781.2Temperley David854357CaBNVSLCaBNVSLCaBNVSLBOOK9910456138803321Music and probability1908000UNINA01186nam1 2200313 i 450 BVE004273820231121125413.020130131g1991 ||||0itac50 baitaitz01i xxxe z01nEdizione nazionale delle opere di Giuseppe PitrèRomaBulzoni v.24 cm.001BVE00427392001 60Bibliografia degli scritti di Giuseppe Pitrècon una aggiunta bibliografica di scritti su Pitrèa cura di Giuseppe D'Anna60Pitrè, GiuseppeOpereFIRRMLC419068I016.398094521Pitrè, GiuseppeCFIV019897070381921ITIT-0120130131IT-FR0017 IT-RM0526 Biblioteca umanistica Giorgio ApreaFR0017 Biblioteca dell’Istituto Centrale per il Patrimonio ImmaterialeRM0526 BVE0042738Biblioteca umanistica Giorgio Aprea 52DES 016 DAn.Bib.1 52 58Edizione nazionale delle opere di Giuseppe Pitrè3603351UNICAS03824nam 2200385z- 450 991035955600332120231214141238.0(CKB)5350000000010917(OAPEN)1006517(oapen)https://directory.doabooks.org/handle/20.500.12854/25947(oapen)doab25947(EXLCZ)99535000000001091720||||||d2019 |y 0geruuuuu---auuuutxtrdacontentcrdamediacrrdacarrier"Nomadin-Sein" im "Dorf der Solidarität" - Eine kritische Ethnografie zu Camps für Rom_nja in RomUniversitätsverlag Göttingen20191 online resource3-86395-417-3 Als Dörfer der Solidarität werden insbesondere in Rom, meist mit Wohncontainern ausgestattete, eingezäunte Camps bezeichnet, in denen Rom_nja und Sint_izze institutionell untergebracht werden. Medial sind diese vielbeachtet, die Bewohner_innen werden stereotypisiert noch immer als "Nomaden" kategorisiert, die als solche spezifischer Wohnmöglichkeiten - nämlich ihrer Halteplätze - bedürfen. Doch sind diese Camps weniger Halteplätze und kulturell spezifische Wohnform, als vielmehr Orte der Segregation sowie Konflikt- und Aushandlungsräume. In ihnen verdichten sich unterschiedliche Machtverhältnisse, wie Rassismus und Sexismus, aber auch ein spezifischer Umgang mit Armut und Migration. Ausgehend von der Ausrufung des Notstands in Bezug auf die Anwesenheit der "Nomaden" im Jahre 2008, untersucht Simona Pagano in dieser Monographie die Auswirkungen dieser Machtverhältnisse insbesondere auf den Alltag der bislang zu gering berücksichtigten weiblichen Bewohnerinnen dieser Camps in Rom. In der alltäglichen Begleitung der Frauen, in Gesprächen, Interviews mit zivilgesellschaftlichen Organisationen und institutionellen Akteuren sowie durch das Nachzeichnen der Entstehung dieser Orte vermittelt die Autorin anhand einer intersektionalen Perspektive ein komplexes Bild dieser Camps. Sie kann dabei zeigen, dass diese zwar Orte der Segregation und Kontrolle, der Profitgenerierung und Gewalt, aber auch Räume der Solidarität, der Beheimatung und der Freundschaft sein können.In Italy, Solidarity Villages are state-provided places of accommodation for Romani people. In Rome, they are typically fenced off areas equipped with low-quality portable housing. In the media, these halting sites are often represented as a culturally appropriate housing solution. Yet, these camps are neither temporary halting places nor cultural forms of housing. Rather, they are places of segregation, conflict and negotiation-sites where racism, sexism and a particular way of dealing with poverty and migration condense. Beginning with the declaration of a Nomad Emergency in 2008, Simona Pagano documents the emergence of the spatial logic of the camp and offers an intersectional analysis of the complex power relations that shape the lives of its female residents. Drawing on ethnographic engagement, as well as interviews with institutional actors and civil society organizations, Pagano shows that the camps are often places of segregation and control, of profit generation and violence, but also, spaces of solidarity, homemaking and friendship.Society & social sciencesbicssccampsRomanisegregationthema EDItEUR::J Society and Social SciencesSociety & social sciencesPagano Simonaauth985461BOOK9910359556003321„Nomadin-Sein“ im „Dorf der Solidarität“ - Eine kritische Ethnografie zu Camps für Rom_nja in Rom2252563UNINA