01167cam0 2200301 450 E60020005273120200525112002.020090827d1971 |||||ita|0103 bafreFR<<L' >>exode ruralPierre Merlinsuivi de deux études Sur les migrations par Robert Hérin et Robert Nadotprés. par Alfred SauvyParisPresses Universitaires de France1971XIV, 350 p.ill.24 cmTravaux et DocumentsCahier n.59In testa al front. : Institut national d'études démographiques001LAEC000271172001 *Travaux et DocumentsCahier n.59Merlin, PierreA60020002917407032451Hérin, RobertA600200056468070Nadot, RobertA600200056469070ITUNISOB20200525RICAUNISOBUNISOB91013238E600200052731M 102 Monografia moderna SBNM910000277Si13238acquistovittoriniUNISOBUNISOB20090827081947.020200525111943.0AlfanoExode rural221110UNISOB02741nam 2200421z- 450 991034674690332120210211(CKB)4920000000094245(oapen)https://directory.doabooks.org/handle/20.500.12854/54117(oapen)doab54117(EXLCZ)99492000000009424520202102d2018 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierMusic and the Functions of the Brain: Arousal, Emotions, and PleasureFrontiers Media SA20181 online resource (166 p.)Frontiers Research Topics2-88945-452-5 Music impinges upon the body and the brain. As such, it has significant inductive power which relies both on innate dispositions and acquired mechanisms and competencies. The processes are partly autonomous and partly deliberate, and interrelations between several levels of processing are becoming clearer with accumulating new evidence. For instance, recent developments in neuroimaging techniques, have broadened the field by encompassing the study of cortical and subcortical processing of the music. The domain of musical emotions is a typical example with a major focus on the pleasure that can be derived from listening to music. Pleasure, however, is not the only emotion to be induced and the mechanisms behind its elicitation are far from understood. There are also mechanisms related to arousal and activation that are both less differentiated and at the same time more complex than the assumed mechanisms that trigger basic emotions. It is imperative, therefore, to investigate what pleasurable and mood-modifying effects music can have on human beings in real-time listening situations. This e-book is an attempt to answer these questions. Revolving around the specificity of music experience in terms of perception, emotional reactions, and aesthetic assessment, it presents new hypotheses, theoretical claims as well as new empirical data which contribute to a better understanding of the functions of the brain as related to musical experience.Music and the Functions of the BrainPsychologybicsscArousalEmotionsFunctions of the brainMusicPleasure-Pain PrinciplePsychologyPodlipniak Piotrauth1434223Reybrouck MarkauthEerola TuomasauthBOOK9910346746903321Music and the Functions of the Brain: Arousal, Emotions, and Pleasure3586951UNINA