01902nam 2200373 n 450 99639299630331620200824121852.0(CKB)4940000000110605(EEBO)2240935510(UnM)99867096e(UnM)99867096(EXLCZ)99494000000011060519940502d1646 uy |engurbn||||a|bb|Vox caelorum. Predictions defended[electronic resource] or, The voyce of the celestiall light, wherein is proved five things: 1 That the starres have received influences. 2 That they operate and worke upon sublunary things, according to the nature and quality of those received influences. 3 That God hath revealed those received influences to man. 4 That it is not unlawfull to predict according to the knowne nature and quality of those received influences. 5 That it is not unlawfull to call the starres by such and such names; as Pleyades, Arcturus, Orion, &c. And divers places of the Scriptures opened and cleared. With a vindication of M. William Lilly his reputation against the Epirrhesian antagonists, in these times of discovery of new lights. By Henry Harflete, practitioner in the mathematickesImprinted at London for Mat. Walbancke[1646][12], 59, [1] pPublication date from Wing.Running title reads: Predicitons defended.Annotation on Thomason copy: "march 19th 1645".Reproduction of the original in the British Library.eebo-0018AstrologyEarly works to 1800AstrologyHarflete Henryfl. 1653.792585Cu-RivESCu-RivESCStRLINWaOLNBOOK996392996303316Vox caelorum. Predictions defended2344283UNISA04005nam 2200493z- 450 991034596350332120210211(CKB)4920000000094079(oapen)https://directory.doabooks.org/handle/20.500.12854/47141(oapen)doab47141(EXLCZ)99492000000009407920202102d2018 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierThe Evolution of Rhythm Cognition: Timing in Music and SpeechFrontiers Media SA20181 online resource (391 p.)Frontiers Research Topics2-88945-500-9 Human speech and music share a number of similarities and differences. One of the closest similarities is their temporal nature as both (i) develop over time, (ii) form sequences of temporal intervals, possibly differing in duration and acoustical marking by different spectral properties, which are perceived as a rhythm, and (iii) generate metrical expectations. Human brains are particularly efficient in perceiving, producing, and processing fine rhythmic information in music and speech. However a number of critical questions remain to be answered: Where does this human sensitivity for rhythm arise? How did rhythm cognition develop in human evolution? How did environmental rhythms affect the evolution of brain rhythms? Which rhythm-specific neural circuits are shared between speech and music, or even with other domains? Evolutionary processes' long time scales often prevent direct observation: understanding the psychology of rhythm and its evolution requires a close-fitting integration of different perspectives. First, empirical observations of music and speech in the field are contrasted and generate testable hypotheses. Experiments exploring linguistic and musical rhythm are performed across sensory modalities, ages, and animal species to address questions about domain-specificity, development, and an evolutionary path of rhythm. Finally, experimental insights are integrated via synthetic modeling, generating testable predictions about brain oscillations underlying rhythm cognition and its evolution. Our understanding of the cognitive, neurobiological, and evolutionary bases of rhythm is rapidly increasing. However, researchers in different fields often work on parallel, potentially converging strands with little mutual awareness. This research topic builds a bridge across several disciplines, focusing on the cognitive neuroscience of rhythm as an evolutionary process. It includes contributions encompassing, although not limited to: (1) developmental and comparative studies of rhythm (e.g. critical acquisition periods, innateness); (2) evidence of rhythmic behavior in other species, both spontaneous and in controlled experiments; (3) comparisons of rhythm processing in music and speech (e.g. behavioral experiments, systems neuroscience perspectives on music-speech networks); (4) evidence on rhythm processing across modalities and domains; (5) studies on rhythm in interaction and context (social, affective, etc.); (6) mathematical and computational (e.g. connectionist, symbolic) models of "rhythmicity" as an evolved behavior.Evolution of Rhythm CognitionNeurosciencesbicsscbeat perceptionevolution of cognitionevolution of speech and languageinterval timingmetermovementmusicrhythmspeechsynchronytime perceptionNeurosciencesHenkjan Honingauth1324441Andrea RavignaniauthSonja A. KotzauthBOOK9910345963503321The Evolution of Rhythm Cognition: Timing in Music and Speech3036167UNINA