04017oam 2200829 c 450 991033604980332120260202090927.09783839446676383944667810.14361/9783839446676(CKB)4930000000056136(OAPEN)1005321(DE-B1597)508143(OCoLC)1105916920(DE-B1597)9783839446676(ScCtBLL)a18a5623-202e-4107-a2f6-d226fdd1c7e1(MiAaPQ)EBC6637439(Au-PeEL)EBL6637439(OCoLC)1135214379(transcript Verlag)9783839446676(MiAaPQ)EBC6956050(Au-PeEL)EBL6956050(oapen)https://directory.doabooks.org/handle/20.500.12854/26143(Perlego)1796783(oapen)doab26143(EXLCZ)99493000000005613620260202d2019 uy 0enguuuuu---auuuutxtrdacontentcrdamediacrrdacarrierMusic Practices Across Borders(E)Valuating Space, Diversity and ExchangeGlaucia Peres da Silva, Konstantin Hondros1st ed.Bielefeldtranscript Verlag20191 online resource (214 p.)Musik und Klangkultur9783837646672 383764667X Frontmatter 1 Content 5 Introduction-Music practices across borders 7 Valuation in a reversed economy 41 Culture, creativity and practice 61 "Come and expose yourself to the fantastic music from around the world" 85 From desire for recognition to desire for independence 105 The invention of African art music 127 Contemplating musical life in Tunisia under the French protectorate-the society and challenges 151 The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century 167 Brazilian grooves and cultured clichés 191 About the authors 211Connecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange.This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts.Musik und Klangkultur Peres da Silva/Hondros (eds.), Music Practices Across Borders(E)Valuating Space, Diversity and ExchangeMusic PracticesMigrationEvaluationTransnationalMusicGlobalizationMusicologyInterculturalismSociology of CultureMusic PracticesMigrationEvaluationTransnationalMusicGlobalizationMusicologyInterculturalismSociology of Culture780.1Peres da Silva Glaucia<p>Glaucia Peres da Silva, Universität Duisburg-Essen, Deutschland</p>edtHondros Konstantin<p>Konstantin Hondros, Universität Duisburg-Essen, Deutschland</p>edtOGeSoMofndhttp://id.loc.gov/vocabulary/relators/fndMiAaPQMiAaPQMiAaPQBOOK9910336049803321Music Practices Across Borders4414045UNINA