00909nam0-2200313---450-99001007012040332120160510084941.0978.88.422.1612.4001007012FED01001007012(Aleph)001007012FED0100100701220160510d2008----km-y0itay50------baitaITa-------001yy<<La >>città pubblicaedilizia sociale e riqualificazione urbana a TorinoPaola Di BiagiTorino [etc]Umberto Allemandi[2008]69 p.ill.20 cmArchitettura contemporanea a Torino6Pianificazione urbanaTorinoArchitetturaTorinoDi Biagi,PaolaITUNINARICAUNIMARCBK990010070120403321CAN 237s.i.DINSTDINSTUNINA03063 am 22004933u 450 991033070720332120230621135343.010.7765/9781526147240(CKB)4100000008710967(oapen)https://directory.doabooks.org/handle/20.500.12854/35182(DE-B1597)659211(DE-B1597)9781526147240(EXLCZ)99410000000871096720190721h20192016 uy| 0engur||#---u||||txtrdacontentcrdamediacrrdacarrierThe cinema of Oliver Stone art, authorship and activism /Ian Scott and Henry ThompsonManchester, UKManchester University Press2019Manchester, UK :Manchester University Press,2019.©20161 online resource (307 pages) illustrations; digital, PDF file(s)Previously issued in print: 2016.1-5261-0711-2 1-5261-4724-6 Includes bibliographical references and index.This book charts and analyses the work of Oliver Stone – arguably one of the foremost political filmmakers in Hollywood during the last thirty years. Drawing on previously unseen production files from Oliver Stone’s personal archives and hours of interviews both with Stone and a range of present and former associates within the industry, the book employs a thematic structure to explore Stone’s life and work in terms of war, politics, money, love and corporations. This allows the authors both to provide a synthesis of earlier and later film work as well as locate that work within Stone’s developing critique of government. The book explores the development of aesthetic changes in Stone’s filmmaking and locates those changes within ongoing academic debates about the relationship between film and history as well as wider debates about Hollywood and the film industry. All of this is explored with detailed reference to the films themselves and related to a set of wider concerns that Stone has sought to grapple with -the American Century, exceptionalism and the American Dream, global empire, government surveillance and corporate accountability. The book concludes with a perspective on Stone’s ‘brand’ as not just an auteur and commercially viable independent filmmaker but as an activist arguing for a very distinct kind of American exceptionalism that seeks a positive role for the US globally whilst eschewing military adventurism.Motion picture producers and directorsUnited StatesOliver StoneHollywoodAuteurismVietnamPoliticsMotion picture producers and directors791.430233092Scott Ian1954-964499Thompson HenryUkMaJRUBOOK9910330707203321The cinema of Oliver Stone2188182UNINA